The Political Image as Embodiment of Cyclical Failure

“The image itself is being hailed as an icon of the current struggle between the American police state and the tremors of their abhorrent measure to kill young black Americans, which is no doubt racially and economically motivated”.

Raymond Depardon: ‘Manhattan Out’ and ‘Adieu Saigon’

What exists of the sensual atmosphere is counterbalanced by scenes like street-side school for teaching the newly-blind how to walk and the mangled bodies, living and dead, just hanging around. By Owen Campbell, ASX, September 2015 2015’s Adieu Saigon is a collection of images shot in Vietnam, where Depardon began working as a photojournalist at […]