Moriyama admits that repetition is his way of working, and that his impulse to reproduce his surroundings today is much the same as it was when he got his first camera, in junior high.
There was something nearly satisfying in the midst of tying his sister’s best friend to a board of broken glass
The subjects in Watanabe’s photographs are the prostitutes, street people, Drag Queens, entertainers and gangsters (Yakuza) that populated Kabukicho at night.
“The time when a picture is taken is like an emotion, it’s like a sexual encounter. It’s like a fuck! So, timing is very important.”
Excerpts from “Shashin Workshop No. 8.” Japan: Shashin Workshop Group, 1976, First Edition, PB, 72 pp, 28 x 14 cm, b/w photos, text in Japanese. Nobuyoshi ARAKI, Daido MORIYAMA, Shomei TOMATSU, Noriaki YOKOSUKA, Masahisa FUKASE, Eikoh HOSOE, Seiji KURATA, editors/photographers A rare volume from the scarce Photography Workshop Group founded […]
Many Japanese photographers came to New York to take photographs in the seventies and eighties, Kitajima arguably produced the best. Keizo Kitajima spent six months in New York roaming it’s gritty streets and hanging out in its clubs. He presented a vision of eighties New York, full of energy, decadence and moments of […]
Presented as a trip through Tokyo, perhaps even snapshots of one wild night out, Tokyo Blur shows the reader a clear view from a back-row seat.
William Klein was invited to Tokyo in 1961, where he shot for three months and made more than 1,000 pictures.
Mirage swings between the dynamic of a lover’s intimate photographs and those of a lonely stalker. By Owen Campbell, ASX, March 2015 The standard, reflexive way of referring to Mirage (2013), White and Vinegar (2012), and Dazai (2014) would be “three books by the photographer Daido Moriyama, as well as a story by Osamu […]
In Sentimental Journey and later in Winter Journey Araki documented both the intimate and the mundane from his honeymoon and his wife’s terminal battle with cancer. By blurring the boundaries between life and art Araki’s work becomes uncomfortably candid, presenting death with a reverence as shocking and graphic as any of his more erotic […]
Issei Suda was born in Tokyo in 1940 and graduated from the Tokyo College of Photography in 1962. He worked as a freelance photographer from 1971 and taught for many years at the Osaka University of Arts. (All rights reserved. @ Issei Suda.)
The Rhine II, 1999 There is something very straightforward about Andreas Gursky’s photographs. It is as though he holds up a peopled landscape or a building or a workplace for our inspection, saying simply, ‘here it is’. The Iron Cage of Boredom By Julian Stallabrass There is something very straightforward about Andreas Gursky’s photographs. […]