The photographer once stated dryly that the centripetal composition of all of his pictures was based on the Confederate Flag.
Eggleston brought MoMA around eight carousels of slides made around 1970 from which Szarkowski chose seventy-five for the exhibition and, of those, forty-eight for publication in the Guide.
At Zenith I (from Wedgwood Blue), 1979/2013 © Eggleston Artistic Trust. Courtesy of Gagosian Gallery In the sleek and immaculate setting of the Gagosian Gallery, my childhood and adulthood escapes unexpectedly met each other. REVIEW: WILLIAM EGGLESTON – “AT ZENITH”- GAGOSIAN GALLERY MADISON AVENUE OCT 26- DEC 21 2013 BY: Shahrzad Kamel, NYC DEC 2013 When I was […]
“In the late Sixties Eggleston turned to the use of color transparency film and photographed prolifically. William Eggleston: Introduction to Ancient and Modern By Mark Holborn William Eggleston was driving with the writer Stanley Booth from Georgia to Tennessee. It was 1978 and Eggleston had acquired an early Kodak instant camera. He started to photograph […]
“The blindness is apparent when someone lets slip the word ‘snapshot’. Ignorance can always be covered by ‘snapshot’. The word has never had any meaning. I am at war with the obvious.” William Eggleston in Conversation with Mark Holborn (Afterward from The Democratic Forest) “I was in Oxford, Mississippi for a few days and […]
On the eve of the election, when nothing had yet been decided, when everything–whatever that everything was–hung in the balance, Eggleston made an elegy…a statement of perfect calm. Preface from Election Eve By Lloyd Fonvielle William Eggleston made these photographs in and around Plains, Georgia –and along the route of his journey there from Mississippi–on […]
Do we care for anything but mystery? And does anything matter more than its apprehension? William Eggleston, Mystagogue, From 2 and 1/4. 1999. By Bruce Wagner Do we care for anything but mystery? And does anything matter more than its apprehension? During our days, we try so hard to find and hold it; at night, […]
Sumner, Mississippi, Cassidy Bayou in background By John Szarkowski At this writing I have not yet visited Memphis, or northern Mississippi, and thus have no basis for judging how closely the photographs in this book might seem to resemble that part of the world and the life that is lived there. I have, however, visited […]
It’s hard for me to describe the fascination that William Eggleston’s photographs exert on me. William Eggleston: Draft of a Presentation By Thomas Weski It’s hard for me to describe the fascination that William Eggleston’s photographs exert on me. More than twenty years ago, I bought William Eggleston’s Guide, the catalogue of his solo […]