Making Memories: Morten Barker’s Terra Nullius

“There’s something unnatural and coercive about the idea of ‘making memories’. Surely memories can’t simply be fabricated at will? Forming a memory is something more organic, more random, and it’s all the more precious for this unpredictability.”

Space, Furrowed with Abysses: Michael Ashkin’s Horizont

“The modern city engenders various pathologies, among them agoraphobia and claustrophobia – the one an intense anxiety felt in open spaces, the other, a panic brought about by confinement. Horizont channels both of these aberrations.”

Emmanuel Van der Auwera: Shortly After the Catastrophe

“Blue is the color of the unreal, of the memory, of the open mind, of the royal, the precious and the rare. Blue is the color of the absolute, the higher, the divine, of cold and of clarity. It is the color of Yves Klein, Derek Jarman, Picasso and Gerard David.”

Aaron Schuman: Remote Hereditary Object-hood in FOLK

“It is often confusing being an American. We are a country deeply concerned with our personal histories, yet there is something peculiar about all of this in so much as that it seems to deflect from what we actually are: American”