“Jules Verne in his novel of the same name uses the phenomenon as a metaphorical tool in which the protagonist Delphine searches for a rare meteorological phenomenon which doubles as a search for interpersonal connection.” Pulse. Questions, rather interrogations must be committed to. Is jugular distension normal? A sinuous pulse distorts the natural curves of […]
“While photographic techniques and mysteries are patiently explained, the paintings present are left simply to be. Everywhere one sees photographers paying homage to painters, nowhere the reverse. A fact which speaks inadvertent volumes.”
“I think the darkness at the periphery of the work also comes from a desire to acknowledge a certain brutality inherent to the history of the western landscape, and to the struggle for survival within it.”
“It is not as a blackout from his own memory but to revitalise the missing parts, to allow himself and the viewer to fall into the image, to find oneself in that space.”
“The castle, which controls the populace, does so through an absolute production of its image. It is a tale in which plebian might is as disorganized as any contemporary parallel for leading a resistance against the juggernaut who rules by fear and an unethical chess game between the citizens and the tyranny of the castle’s own image”
“I apologize that so many men were mentioned. You have to understand that the books of history are uncomfortably weighted towards testicles”
“The paintings are beautifully grotesque and at one with the human condition. The bubbling and fungal masses are crude stand-ins for our own nature of fucking, feasting and dying”
“You have to be prepared to look in the ‘low’ places in our visual culture as well as the ‘high’. You have to be a rag picker as much as a connoisseur”.
Often blurred and seeming to blend into interiors, Woodman’s photographs evoke a haunting, haunted world wherein her own physical self appears to vanish—or emerge—before our eyes.
Berenice Abbott. Portrait of the Artist as a Young Woman. Negative c. 1930/Distortion c. 1950 The Shaping of New Visions: Photography, Film, Photobook at MoMA through April 21, 2013 By Lew Schwartz, ASX NYC, February 2013 There are a few ways to view “New Visions,” and, unfortunately the heady text that introduces the show on the […]
Man Ray made his “rayographs” without a camera by placing objects-such as the thumbtacks, coil of wire, and other circular forms used here-directly on a sheet of photosensitized paper and exposing it to light.
The Starfish // L’Etoile de Mer L’Étoile de Mer (English: The Sea Star) is a 1928 film directed by Man Ray. The film is based on a script by Robert Desnos and depicts a couple (Alice Prin and André de la Rivière) acting through scenes that are shot out of focus. Director: Man Ray Writer: […]