Kensuke Koike & Thomas Sauvin: No Cut Left to Chance

“So, when you look at these images, you have to understand the basic principal of the work, but also a sort of mythical sacred geometric ability to render form within an existing image that which has been removed with an exactitude of skill much above that which most people are able.”

‘Daido Tokyo’ at Fondation Cartier (2016)

Moriyama admits that repetition is his way of working, and that his impulse to reproduce his surroundings today is much the same as it was when he got his first camera, in junior high.