Profile of acclaimed photographer Tom Wood. Tom has taken photographs almost every day for the past 40 years, mainly around the streets, workplaces and nightspots of Merseyside. Hugely respected in the photography world, his work is a unique record of British working class life and in recent years he has gained increasing recognition. In summer […]
Blackpool, Lancashire,1968 ‘I want my pictures to bite like the images in Bunuel’s films which disturb you while making you think. I want them to have poignancy and sharpness but with humour on top.’ – Tony Ray-Jones By Ainslie Ellis, originally published as the introduction in A Day Off, and English Journal, 1974. In San Francisco […]
From 41 Hewitt Road By Niccolò Fano for ASX, May 2013 Anna Fox (born 1961) has been taking pictures for over thirty years, documenting her surroundings and reinforcing the strong tradition of British colour photography initiated and developed by practitioners such as Martin Parr, Paul Graham and Paul Reas. Her work is often described as […]
David Moore: Colour Photographs 1987-88 Pictures From The Real World Essay by David Chandler If the chemically charged 1960s brought new constellations of colour to the drab austerity of post‐war Britain, then British documentary photography remained that period’s more sober shadow: resolutely black and white and firmly rooted in a past, it was the serious, […]
By Benjamin Tree, ASX UK, March 2013 The Format International Photography Festival (the 6th biennial carnation of the event to date) began its month long residency over the city of Derby, UK in March. This year the curatorial theme is ‘factory’. This is an apt choice; the city itself was a pivotal location for Britain’s […]
Workington, 1977 “I always see what is vanishing and melancholic. Images flit across the face of things and are gone.” By Ian Jeffrey, originally published in Creative Camera magazine, March/April 1981 Ian Jeffrey: Have you ever tried to, or wanted to, take pictures which summed up a society or a place? Raymond Moore: […]
Originally Published in Creative Camera, Issue 52, October 1968 In an era of pop commerce, and out of the gimmick-ridden world of lucrative non-art, it is refreshing to discover a photographer who – by-passing the slick ploy of self-conscious fashion cult – has an eye for What Is. His hand does not finger the lining […]
John Stezaker, Deutsche Börse Photography Prize 2012 finalist, at The Photographers’ Gallery 13 July – 9 September 2012.
Martin Parr has worked on numerous photographic projects. He has an international reputation for innovative imagery, a unique approach to social documentaries, and has made a huge contribution to the photography culture in the UK and abroad. Martin is a full member of Magnum Photographic Corporation.
Martin Parr talks about his love for photographing the beach, and how it has culminated in his latest book, Life’s a Beach.
ASX CHANNEL: RICHARD BILLINGHAM (All rights reserved. Images @ Richard Billingham)