thomas alleman

An Interview with Thomas Alleman – “Dancing in the Dragon’s Jaws” (2012)

  Interview with Thomas Alleman, originally published in ZYZZVA, December 2012 By Lucy Schiller From 1985 to 1988, photographer Thomas Alleman worked in a jimmy-rigged laundryroom-cum-darkroom to document the life, passion, and spirit of one of the most prominent and historic gay neighborhoods in the world—San Francisco’s Castro District—in the face of AIDS. His latest […]

walker evans

Walker Evans: “Message from the Interior”

  Evans’ interiors function like landscapes that open up towards other worlds, largely through the particular attention that he pays to the inanimate objects that are present, almost representing them as characters themselves.   Ghost is Guest By Anna Solal, Translated from French by Chris Farmer and Florian Aimard The book’s title – Message from […]

Don Hudson – “From the Archives” (2012)

If you are the type of person that wants to look quickly for connections or a parallel in style or “feel”, Winogrand is right there, ready to be compared to, the weight of the photographs not at all far apart.   By Paul Loomis, January, 2013 This “America” that we know in our gut (those […]

William Gedney: Journal Entries on Kentucky, Sex and Diane Arbus

  “There are two ways of looking at a thing. Either you feel that a thing must be perfect before you present it to the public, or you are willing to let it go out even knowing that it is not perfect, because you are striving for something even beyond what you have achieved, but […]

An Interview with Henri Cartier-Bresson – Famous Photographers Tell How (1958)

“For me, content cannot be separated from form. By form, I mean a rigorous geometrical organization of interplay of surfaces, lines and values.”   Interview with Henri Cartier-Bresson – Famous Photographers Tell How (1958) HCB: To me, photography is a simultaneous recognition in a fraction of a second of a significance of an event as […]

Child’s Play in Helen Levitt’s Early Photographs (2009)

By focusing her lens specifically on the urban street child, Levitt revived an iconographic tradition that gained significance in nineteenth century realist traditions concerned with the fate of the urban poor.   By Elizabeth Gand, “Child’s Play in Helen Levitt’s Early Photographs” “The unconscious obsession we photographers have is that wherever we go we want to […]

Roger Ballen – ‘Shadow Chamber’ (2007)

Twirling Wires, 2001   This demonstrates in a fresh and very personal way photography’s intrinsic ability to lead beyond our usual conception of reality without resorting to visual exaggeration.   Roger Ballen’s Shadow Chamber By Robert Fleck, Originally Published, Eikon Issue 57 – March 2007 Seeing Roger Ballen’s extensive portfolio Shadow Chamber – made over […]