“The spatial arrangement of the American city is itself an ongoing act of violence, it’s one that repeats like a kind of infrastructure, and thus re-iterates and entrenches racial and economic hierarchies by constraining movement across certain thresholds, and by criminalising transgression or making it materially impossible to achieve.”
“I tell myself that I am a limitless being until I realize my left shoe is untied and I sit on the curb to attend to its misshapen spaghetti-form of inconsequential circumstance. What point these shoes”?
“Until you step into the frame of a divide, whether racial, economic or other, the words, the calculations and the slow pulse of a printer spitting out excel spreadsheets and dissertations for coffee-stained board room meetings to university viva defense chambers simply limit the constituency that they purports to encourage…”
“Haunted by a crisis of faith in its authenticity, the documentary genre is continually trying to re-position itself in relation to today’s excesses of a post-truth ideology and blurred frames of realism.”
“Without naming it, I can tell you Brian motherfucking de Palma has a lot to answer for.”
“I did recognise the irreplaceable object and destroyed it and my embattled state of mind with America continues.”
“We have been sold a pup. The West Wing and similar political utopias have propagated the notion of the dignity of presidential office and of those who hold it. But It is hard to match this benevolent, patrician vision with our sordid reality”
“The presentation of politics has become pure entertainment; just another unhealthy consumable good and both candidates got chewed up and swallowed that night, which felt very appropriate and was more therapeutic than I would have imagined.”
“The bucolic west is no longer a benign horizon in which to measure the imagination and fantasy of pioneer aspirations”
“This symbology, this fervent fabric of decline is screened within the book, but it is subtle and perhaps that is why, it is doomed, like human behaviour and meaning, to the sidelines of a genetic and shared understanding of images. “
“Takashi Homma is indebted to Robert Frank. This much is clear. He is as sick of goodbyes as are the best of the Swiss and as are the best of photographers”
“The image itself is being hailed as an icon of the current struggle between the American police state and the tremors of their abhorrent measure to kill young black Americans, which is no doubt racially and economically motivated”.