Interview with Hristina Tasheva

Hristina Tasheva’s newest book, Far Away From Home: The Voices, the Body and the Periphery (Self-published, 2023), is an ambitious attempt at mapping the disparities between two national experiences of Communism in the twentieth century — the Dutch and the Bulgarian — as they were impacted by the rise and fall of Nazi Germany. The […]

Thomas Manneke – Zillion

    Constellations, compositions, and a caring look at one’s family life make up the mass of Thomas Manneke’s melancholic and melodic ode to often-overlooked photographer Francis Bruguière. Bruguière, an American artist who studied painting at the turn of the Twentieth Century, is known mainly for his photographic abstractions. In line with artists like Alvin […]

Max Pinckers & Thomas Sauvin – The Future Without You

The introduction of computers in the workplace well prefigures the advent of the internet. Before the release of the PC in the 80’s, computers were mostly vast, immovable machines which by today’s standards had relatively low processing power. Located in air-conditioned comms rooms, various forms of cabling sprawled out from them into patch cabinets resembling […]

Carla Williams – Tender

Carla Williams can make the world beyond us seem a simple place. Looking at the self-portraits she made over a fifteen year period, from 1984-1999, may briefly lull us into a false apprehension of the world as containing little interest of its own. Such is the poetic depth of these pictures, which, when edited and […]

Alejandro Acin – The Rest is History

Alejandro Acin The Rest is History ICVL Studio and supported by Sala Kursala Programa Cultural   The machinations of history are in constant flexes of exchange. They are impermanent, their concept a flux, or are often a mess of contradictions. We are taught history as if it were permanent, an established and often binary set of […]

Esaias Baitel – Zonen 1982

Full Article on Patreon   This is an incredibly complicated book. It is one that I have been chasing for a year or so since I first became aware of it. It has a cult-like status for many reasons, least of all are the photographs, which are also incredible. The story of Baitel amid a […]

Tomatsu Shomei <11:02> Nagasaki An Overview

  Full Article on Patreon   …11:02 Nagasaki contains elements of documentary practice mixed with an emotional and highly subjective style of photography. In essence, the book is caught, like Kawada’s Chizu, between two schools of thought regarding photography. On the one hand, there is a legacy of photography that considers politics and a (at […]

Alessandra Sanguinetti Some Say Ice

Alessandra Sanguinetti Some Say Ice MACK/Magnum Photo A girl plays the piano convincingly. Another different girl, spotlit, plays a different piano, slightly less convincingly. Steam rises from a river, possibly black, convincingly. A buffalo mourns Its condition confined between fences during a winter snowstorm, most convincingly. A man’s hands clean a six-shooter pistol, and I […]

Michael Kerstgens 1986

  There are global moments in history that feel like tipping points of major changes when you view them retrospectively. In the case of Michael Kerstgens exceptional new book 1986 (Hartmann Books, 2021), the writing on the wall could not be more clear looking back at the year. I remember 1986. I am old enough […]

Configuring the Archive: Jaime Permuth’s “The Street Becomes”

A few years ago, the Guatemalan photographer Jaime Permuth researched the archives of the Anacostia Community Museum during his Smithsonian Institution Artist Fellowship, where he found images documenting the Latino Festival. According to curator Olivia Cadaval, the event’s first iteration in 1970 came as a response to an inaccurate census count of Latin Americans living […]

Jo Ractliffe: Under a State of Emergency

“Ractliffe’s work, whether consciously or not, emerges at a time when the impossibility of representing experience started to gain purchase in discussions around the medium’s shortfalls.”

Jardín de Mi Padre: An Interview with Luis Carlos Tovar

The photograph on the cover of Jardín de mi padre (My Father’s Garden, 2020) shows Luis Carlos Tovar, carried in his mother’s arms as an infant. On the right side of the image, a man’s arm reaches from outside the frame towards Luis Carlos – his fingers are only a few centimeters away. Time is […]