Mark Power: Good Morning, America Volume II

  “From there it is all ticker tape and pumpkin pie. From the position in front of its double, it’s the smell of Baltimore’s burning brownstone wires and antiseptic hand sanitizer ironically left on the church pew”.     “That is no longer considered autonomy. That friend is unfettered barbarism”. No stronger words have been […]

Boris Mikhailov – A Way Out (2017)

Boris Mikhailov was born in Kharkov, Ukraine and came to prominence in the 1990s. His work often focuses on the politics of everyday life during the Soviet era and its aftermath. In Red 1968-75, Mikhailov depticts life in and around Kharkov, using the colour red as a symbolic reminder of the inescapable presence of the […]

KEIZO KITAJIMA: “USSR 1991” (2012)

  In the fall of 1990, Keizo Kitajima received a commission from Japan’s Asahi Shimbun newspaper to visit the Soviet Union, the opportunity to spend a year documenting both people and places in what was then a monolithic entity. 15 republics, 11 time zones, and thousands of miles spanning the two—the task was daunting in […]

Boris Mikhailov: “A New Metaphysician”

From Case History, 1999 Boris Mikhailov: A New Metaphysician By Helen Petrovsky If we were to define photography today, we would have to posit its essential anonymity. To be more precise, we would have to rethink the very conditions of its theorizing: it is no longer “my” photograph that has to be redeemed by being […]