Pino Musi: Border Soundscapes and Concrete Symphonies

A principal feature that photography and music share is that of composition. Composition as it relates to the field of visual art has its history indebted to a wide variety of perspectives and of course, perspective itself. Following notations about linear sight and vision and its ability to be recorded through the technical apparatus that […]

American Revelations: Archival Photographic Notes of Woe

“The general sense of doom and the proclivity towards nightmarish consequences of feast or famine natural disasters ushered in a new era in which spiritualism, cults, and Catholicism all formed an ungovernable supernatural belief state”.

Martino Marangoni: Rebuilding – My Days in New York

“Photography is bound to the world, and to time and circumstance, in a way that no other medium is. The technology is constantly evolving, as is the world, and the inevitability of these changes is part of the photographer’s relationship with her or his medium. Arguably, the most interesting photographers are those who never ‘mature’”

Anush Hamzehian & Vittorio Mortarotti: Most Were Silent

“It is to accept that an image, though agreed as unable to achieve absolute status has many interpretive layers and one of these is the age of the viewer and his or her relation to the subject matter within the frame(s) conditioned by history, time and nostalgia…”

Andrew Waits: Interview Aporia

“…the decision to juxtapose the old with the new relates directly to the aporetic nature of the location. Much of what I was feeling about the development of the surrounding urban environment was a sense of dislocation and confusion.”

Aaron McElroy: One of These RED Days

“You felt perhaps as though you could finally move that leaden ass sack of yours through the last ten feet of ticker tape parade to come out the other side in a low-tar lifestyle and you did just that”.

Mark Power: Good Morning, America

“The achievement of Donald Trump, for every ugly thing he musters to his lips, for every repellent speech and every obnoxiously hypocritical move he makes is entirely endemic of the American century and its reflection in decline”.

Ingvar Kenne: The Ball Interview

“A friend familiar with what I do suggested I have a look at Bachelor & Spinsters Balls – rural gatherings originally designed to overcome distance and loneliness in the bush.”

Camille Vivier: The Twist of Mythical Fantasy

“Hamilton was deeply problematic on many levels and I reference him mostly because of the blur and grain of his pre-pubescent models. That suicide was his final intervention is no large surprise. The debate on his work was over before it started”.