“Instead of seeing Goldin’s re-edit as encompassing the visibility of any specific group, it invites reconsideration in an approach delinking the narrative of otherness towards what I see as a photographic project of genuine care."
Loops and Voids: A Perspective on Michael Schmidt’s Berlin Nach 1945
“Though the clues to what could be considered “absent” “voided” or “gone” are not to be entirely championed nor ignored, the work follows a circular format. It is an examination of place and home and the subject’s way of seeing the familiar and unfamiliar at the same time. This...
Georg Zinsler & Discipula Collective Interview: The Sentinel Script
“The Sentinel Script follows traditional sci-fi patterns in alignment with Kierkegaard or Nietzsche’s existentialist thoughts on our struggle with apparent meaninglessness and our position as individuals in a confusing and unsettling environment.” (GZ)
Bruno V. Roels Interview: A Palm Tree is a …
“To me, everything is language. Language allows you to use a limited set of elements to build ever changing and endless worlds.”
Bruno V. Roels’ work encompasses many layers of language, economy, history and repetition which hints a greater understanding of where photography becomes complicit in its indelible position as...
Guillaume Simoneau: All Lies Beneath A Placid Surface
“Simoneau and his use of the plastic documentary, those metaphorical images that punctuate his book in their sublime manifestations of beautifully drawn and dark passages of smoke rolling across the tree line and the sickly arachnid all but giving up on the stalk of a flowering plant of unknown...
Pier Paolo Pasolini: Bodies and Places, Dis-articulation and Distance
“… no matter what conjecture there is about his death on the beach of Ostia under the wheels of his own car, genital’s hammer-smashed and reeking of Vatican gasoline, throat laced with limp skin from broken bone between sand and sea, his light lingers on…”
The Films of Pier Paolo...
Andrea Botto Interview: Kaboom! Of Dynamite and Destruction
“What interested me from the beginning was the theatrical dimension of all these events, the spectacle of destruction, the context where it took place, and the possibility of considering the explosion as an alienating element within the landscape.”
Donovan Wylie & Jim Goldberg: Candy & A Good and Spacious Land Interview
“I had this image that the Colt ’45 was made in, say, Colorado, but no, it was made in Connecticut to conquer Colorado, to win the West. So that opened up a way of looking at American history that I wanted to pursue: ideas of westward expansion and the...
Klaus Pichler: This Will Change Your Life Forever Interview
“Nevertheless, the current submission of spirituality under the rules of the capitalist market, forced by an armada of suppliers, is a development, which has he potential to irreversibly transform questions of belief into marketable services and tools.”
Splendor without Diminishment: On Vancouver Photography
"In Vancouver, there is no image of nature that is not at the same time an image of private property."