“Haunted by a crisis of faith in its authenticity, the documentary genre is continually trying to re-position itself in relation to today’s excesses of a post-truth ideology and blurred frames of realism.”
“I think Michael felt the need to discuss the meaning and importance of American photography with a younger generation in Germany who had no experience with these kinds of elderly figures. The National Socialists had either killed or persecuted them in Germany, so for my generation there was no elderly generation in photography.”
“A good number of the images allegedly had annotations written on the images such as “not interested in pictures”, “Deceased”, and “Looks better from the ground” written on them”
“Certainly, Tillmans is enormously curious, yet his works offer surprisingly little insight. All is surface and rarely is it scratched”
Tate Modern spends the day with artist Wolfgang Tillmans in his Berlin studio as he prepares for his Tate Modern exhibition. German-born, international in outlook and exhibited around the world, Wolfgang Tillmans spent many years in the UK and is currently based in Berlin. In 2000, he was the first photographer and first non-British artist […]
Corinne on Gloucester Place, 1993 Wolfgang Tillmans has consistently pushed back against whatever perceptions of his work seem most current. The apparition of these faces in the crowd; Petals on a wet, black bough. —Ezra Pound By Russell Ferguson, excerpt from “Faces in the Crowd” Wolfgang Tillmans has consistently pushed back against whatever perceptions of […]
A simpler question is, if this is what political art looks like, what does non-political art look like?
I was, part of a youth culture, a movement. And I greatly embraced this liberating music and club life, which was in such stark contrast to the posy-dressy 80s.
The current exhibition of Fondation Beyeler’s collection presents important new acquisitions, including works by the German artist Wolfgang Tillmans. Tillmans was the first photographer to win the Turner Prize (in 2000). In this interview, Wolfgang Tillmans talks about the works on display (among others: Ostgut Freischwimmer, right and Ostgut Freischwimmer, links; Munuwata Sky; Transit of […]
Blushes #28, 2000 “Ever since I started printing in 1990, I’ve been collecting things that went wrong in the darkroom.” By Nathan Kernan, from “What They Are” originally published in Art On Paper, May-Jun 2001 Photographer Wolfgang Tillmans was born in 1968, in Remscheid, Germany, a small town not far from Dusseldorf. He moved to Hamburg after […]
Photographer Wolfgang Tillmans interviewed back in 1996 about his image ‘Macau Bridge’ for Habitat. ASX CHANNEL: WOLFGANG TILLMANS
Since the late 1980s, Wolfgang Tillmans (b. 1968), the medium evolved as one of the most important artists of his generation to Photography crucial aspects and redefined as an art form. The art collection of North Rhine Westphalia is a long overdue survey of the work that includes previously never to be seen early drawings […]