I can imagine what it is to wake up in a city like Dresden the morning after being carpet bombed by Allied forces in 1945...
'Chronicle' by the Shilo Group (Sergiy Lebedynskyy and Vladyslav Krasnoshchok) is a field guide study in monochrome of various fires lit to burn various bridges across the Ukraine.
War is a huge, infernal industry, the largest one on this planet. It seems presumptuous for one man to attempt to stand in the way of this machinery. Once war has
"Every dried out mummy-corpse, every dead child, every snarl of these fucking dogs - it's like they invade my dreams- I can't get relief either awake or asleep."
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 5 See the entire conversation: HERE From the seconds after a bomb is detonated to a
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 4 See the entire conversation: HERE From the seconds after a bomb is detonated to a
Brad Feuerhelm of ASX interviews Simon Baker - On Conflict, Time, and Photography. Pt. 3
@ Mark Power Then, some American asshole with Christmas lights on his jacket singing a pop song about years of collective trauma and a hangover of cheap products and Stasi
Don McCullin sees his photographs as a ‘silent protest against the futility of war’. In this TateShots he remembers the people and places of some of his most powerful work.
TateShots talks to photographer Sophie Ristelhueber about her work ‘Fait’, on show as part of Tate Modern’s ‘Conflict, Time, Photography’ exhibition. In the summer of 1991, six months after the
Leafing through Van Der Weijde’s Third Reich (part one of his Bavarian trilogy) one is confronted with Nazi Housing constructed in Bavaria during the National Socialist tenancy of German between