Now, it’s hard to defend yourself if you are in possession of the ‘white privilege’, as I am…
I was, part of a youth culture, a movement. And I greatly embraced this liberating music and club life, which was in such stark contrast to the posy-dressy 80s.
Today, Richard Prince, still glowing in triumph after his own copyright battle with Patrick Cariou, is simply screen-capturing his own participation on Instagram—brazenly selling inkjet enlargements of other people’s image uploads for $90,000 a pop. What’s more, Prince is adored for it. How to Sue Richard Prince and Win By Nate Harrison, July 10, 2015 My […]
Pettibon’s drawings say: sure, I’ll suck dick for cigarettes.
“I’ve had photographs taken for portraits because I very much prefer working from the photographs than from them.”
To act out of one’s desire that has been purposefully cloaked under ideology is in fact a direct transgression against the state. By Brad Feuerhelm, ASX, April 2015 First, let it be said that this oversize production by dienacht of Ren Hang’s work is lush and beautifully crafted. The pages overlap and folds of […]
“The images are far more erotic than most porno photographs…” By Anton Corbijn, for Tate, May 2010 I had not been aware of Kohei Yoshiyuki’s work until I saw a review of his series The Park about two years ago, which was accompanied by a photograph that caught my eye immediately. The infrared grittiness […]
He was also known to be reluctant to involve himself in black politics, often finding himself estranged from “up town” black artist communities. By Louis Armand, from a lecture at the Comparative Studies Colloquium, August 30, 2000, Monash University, Melbourne, Australia. When Jean-Michel Basquiat died in 1988 at the age of twenty-seven he had only been […]
Arcara and Santese provide an unexpected portrait of Detroit, eschewing the obvious for something more cerebral. The majestic decay of lavish theaters, incomprehensibly large car plants, and skyscrapers of former luxury are not to be found here.
Ralph Eugene Meatyard (1925-1972) spent three months looking through an unfocused camera in order to “learn to see No-Focus.” By Rebekah Modrak, Bill Anthes, excerpt from Reframing Photography: Theory and Practice, 2011 Ralph Eugene Meatyard (1925-1972) spent three months looking through an unfocused camera in order to “learn to see No-Focus.” Working roughly 30 years […]
“AIDS changed everything in my life. There’s life before AIDS, and after AIDS.” By Nan Goldin, for The Digital Journalist, 20 Years: Aids & Photography, 2001, brought to ASX in partnership with The Digital Journalist AIDS changed everything in my life. There’s life before AIDS, and after AIDS. We were in Fire Island that […]
“One often wrongfully compares photographs to paintings. This is nonsense. The image does not refer to painting but to something alive through which passes silence…” Lise Sarfati ‘On Hollywood’. Interview by François Adragna François Adragna: What is a photographic series? Lise Sarfati: It is a set of photographs which are linked to each other and […]