DAIDO MORIYAMA: “FAREWELL PHOTOGRAPHY” (1972)

“At that time I was frustrated with everything, including photography – particularly my own. There was a sense of irritation generally in the air, so I just thought ‘let’s completely deconstruct photography’.” – Daido Moriyama

DAIDO MORIYAMA: “BYE BYE PHOTOGRAPHY” (1972)

Bye Bye Photography. The photographer’s third book: a masterpiece of Japanese photography, and the book that best illustrates the conceptual ideals and vision of the Provoke photographers. Here Moriyama pushes the boundaries of the medium: assembling images from a variety of sources, placing them in a tumultuous and discordant anti-sequence, and assaulting the viewer with […]