Now, it’s hard to defend yourself if you are in possession of the ‘white privilege’, as I am...
The content may criticize the media or the state or the history of photography, but I would be disappointed if the work were reducible to any one of those things.
I was, part of a youth culture, a movement. And I greatly embraced this liberating music and club life, which was in such stark contrast to the posy-dressy 80s.
Today, Richard Prince, still glowing in triumph after his own copyright battle with Patrick Cariou, is simply screen-capturing his own participation on Instagram—brazenly selling inkjet enlargements of other people’s image
Eggleston brought MoMA around eight carousels of slides made around 1970 from which Szarkowski chose seventy-five for the exhibition and, of those, forty-eight for publication in the Guide.
Stacy Kranitz ’s long-form photographic project As it was give(n) to me is a work that interrogates notions of documentary truth.
“The images are far more erotic than most porno photographs…” By Anton Corbijn, for Tate, May 2010 I had not been aware of Kohei Yoshiyuki’s work until I saw a
The Rhine II, 1999 There is something very straightforward about Andreas Gursky’s photographs. It is as though he holds up a peopled landscape or a building or a workplace for
Ruff has done a great deal to introduce into photographic art what we might call an ‘art of the pixel’, allowing us to contemplate at an aesthetic and philosophical level
Untitled (Head), 1981 His paintings proclaimed the existence of a more basic truth locked within a given event or thought. The Defining Years: Notes on Five Key Works By Fred
Boxer, 1982 He was also known to be reluctant to involve himself in black politics, often finding himself estranged from “up town” black artist communities. By Louis Armand, from a lecture
She was not a theorist but an artist. Her concern was not to buttress philosophical questions but to make pictures. By John Szarkowski, Director, Department of Photography, NY MoMA Diane