Aaron Schuman: Slant Interview

“Reading through them, I realised that the best ones seemed to create a kind of mental-image in my mind’s eye – which due to the tone of the text often took the form of a very deadpan, monotone, and even monochrome photograph of a little scene in small-town America; I was imagining a very straightforward picture made by Walker Evans or Lee Friedlander or Diane Arbus or others, of four dogs sitting on top of a car, or a guy standing next to a tree in the middle of the afternoon with bloody knuckles…”

Billie: Before Our Limbs Soften

“On a functional level, and trying to remove myself from the subjects involved, what “Billie” does besides pull on your emotions is to punish photography in a small way…”