“However hard I tried to ‘illustrate’ an aspect of the urban environment, to unmask and present how this sleepy, suburban environment ‘functioned’ and fitted together somehow it always failed”.
“In Vancouver, there is no image of nature that is not at the same time an image of private property.”
“A good number of the images allegedly had annotations written on the images such as “not interested in pictures”, “Deceased”, and “Looks better from the ground” written on them”
“My work in the landscape is ultimately about human culture, not about nature. I always think of landscape as historical, or historicized; as not existing outside of history.”
Each image still serves as a living testament of sorts, but as winter approaches, I fear they will begin to form colonies of graves, for which, I have no answers.
Mark Ruwedel is an artist who has been photographing American deserts and other remote locations for over 25 years. With an affinity for stark, barren landscapes that are otherwise uninhabited, Ruwedel found the desert and it soon became his primary field of inquiry. Influenced by photographers Lewis Baltz, Walker Evans and Robert Adams, Ruwedel’s […]
“I never had any profound loyalty to the idea of photography as a medium but simply as the most efficient way of making or recording an image.”
39, WEST WALL, SMICOA, 333 MCCORMICK, COSTA MESA © LEWIS BALTZ, IP 39, FROM THE SERIES “NEW INDUSTRIAL PARKS, NEAR IRVINE, CALIFORNIA”, 1974; STEIDL Interview (excerpt) with Lewis Baltz Conducted by Matt Witkovsky At Baltz’s home in Paris, France. 2009 November 15-17 MR. BALTZ: You aspire to making something – at least at the time, […]
“If you wanted to work in the vein of Walker Evans, you could do very well at Yale. But if you didn’t want to do that, you were just – you’re kind of left alone.” Oral history interview with Lewis Baltz, 2009 Nov. 15-17 An interview of Lewis Baltz conducted 2009 Nov. 15-17, by […]
New Topographics: “Landscape and the West – Irony and Critique in New Topographic Photography” (2005)
From Park City, Lewis Baltz Landscape and the West – Irony and Critique in New Topographic Photography By Kelly Dennis, Paper Presented at the Forum UNESCO University and Heritage 10th International Seminar “Cultural Landscapes in the 21st Century” Newcastle-upon-Tyne, April 11-16, 2005 Whereas Ansel Adams photographed the sinuous, abstract patterns left by timeless winds on […]
Untitled, from the Los Angeles Documentary Project, Max Yavno, 1979-1980 “Through the Lens of the City: NEA Photography Surveys of the 1970s” By Mark Rice CHAPTER FOUR: Bringing It All Together: The Four Surveys of Greater L.A. (Excerpt) The Los Angeles Documentary Project was one of the most ambitious of all the photography surveys supported […]
This pitiless light, virtually combusting in the thin Colorado air, was, I thought, an invention born in the certain glare of the place… By Tod Papageorge In April 2000, The Yale University Art Gallery purchased the 193 prints that compose Robert Adams’s What We Bought: The New World, a body of work that had […]