"These photographs are clearly fixed facts of the real world impartially recorded by the camera, but they are something more as well."
Eggleston brought MoMA around eight carousels of slides made around 1970 from which Szarkowski chose seventy-five for the exhibition and, of those, forty-eight for publication in the Guide.
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The Painting Techniques of Franz Kline: Chief Filmed by Plowshares Media Images courtesy of The Franz Kline Estate; Kate Rothko Prizel & Christopher Rothko; Artists Rights Society (ARS), New York;
I saw it I suppose very shortly after it was published, when I was still working as a photographer myself, and it was, frankly, shocking. I sensed the power in
Friedlander’s work provides some of the first and best examples of what has become a widespread approach to photography. It was part of the general reorientation of the sixties within
Berenice Abbott. Portrait of the Artist as a Young Woman. Negative c. 1930/Distortion c. 1950 The Shaping of New Visions: Photography, Film, Photobook at MoMA through April 21, 2013 By Lew Schwartz,
David Goldblatt reflects on the ways photography has helped him process the experience of living under apartheid. His series In Boksburg documents life in a South African suburb in the
She was not a theorist but an artist. Her concern was not to buttress philosophical questions but to make pictures. By John Szarkowski, Director, Department of Photography, NY MoMA Diane
Cynthia “Cindy” Morris Sherman (born January 19, 1954) is an American photographer and film director, best known for her conceptual portraits. Connect to the ASX world! Like us on Facebook, follow us
“I always thought of photography as a naughty thing to do, that was one of my favourite things about it, and when I first did it, I felt very perverse.”