“Though the clues to what could be considered “absent” “voided” or “gone” are not to be entirely championed nor ignored, the work follows a circular format. It is an examination of place and home and the subject’s way of seeing the familiar and unfamiliar at the same time. This inquiry of Schmidt’s is adept if not deftly demonstrative.”
Joel Meyerowitz became famous as central protagonist of New Color Photography in America during the 1960s and 1970s, next to William Eggleston and Stephen Shore. His extensive retrospective at the KUNST HAUS WIEN. Museum Hundertwasser in Vienna, Austria presents the photographer and the major, multi-faceted oeuvre he created over the course of 50 years.
CONTEMPORARY PHOTOGRAPHIE IN THE USA – Cinematic workshop discussions about an art form in our day and age. Documented photographers: Robert Frank, Duane Michals, Garry Winogrand, Lee Friedlander, Thomas Roma, Alfred Stieglitz, Harry Callahan, Lisette Model, Ralph Gibson, Mark Cohen, Joel Meyerowitz, Stephen Shore English – Colour – PAL or NTSC – 4:3 – 52 […]
An award-winning street photographer who has been creating memorable images in the great photojournalistic tradition since 1962, Joel Meyerowitz pioneered the use of color in this slice of life genre, and his classic book on Cape Cod, “Cape Light” was instrumental in changing the prevailing dismissive attitudes toward color photography. Within a few days […]
Joel Meyerowitz (born March 6, 1938) is a street photographer and portrait and landscape photographer. He began photographing in color in 1962 and was an early advocate of the use of color during a time when there was significant resistance to the idea of color photography as serious art.
Director Cheryl Dunn was commissioned by the Seaport Museum New York to make a documentary about photographers who have used New York City street life as a common thread in their work. Produced by ALLDAYEVERYDAY, Everybody Street premiered at the museum in conjunction with the exhibit Alfred Stieglitz New York and was released in segments […]
“I thought that to make photographs, you froze everybody before the fact, but Robert never froze them except in the camera. So that was a revelation.” Excerpt from “Still Going”, from Bystander: A History of Street Photography (2001) by Colin Westerbeck and Joel Meyerowitz CW: The name we are giving to this final chapter, “Still […]