“He accepted his death and was going to show me how it should be done. The last lesson a man can teach his son.”
“Already rife with distrust, crooked smiles, and manufactured cutout econo-kit fashions, these images betray their ultimate aim, which is to represent an ideology through a gesture of the candidate’s ¾ portrait.”
Bertien van Mannen’s “Beyond Maps and Atlases” is a composition of dis-rhythmic proportion. Her investigation into the Irish landscape is not so much depressing as it alludes to the bittersweet.
“That process of walking every day for long periods of time, you slow down, you start to really observe how your mind’s working, get a different sense of the connection between mind and body and your surroundings. It was a very physical process, and the pace was quite meditative, so I wanted to make a […]
The watchtower is not, typically, an offensive weapon. It’s an anticipatory instrument, a hedge against the inevitability of future conflict. By Eugenie Shinkle, ASX, July 2015 Built in the 1950s, the Distant Early Warning line, or DEW line, was a system of radar stations stretching across northern Canada from Alaska to Greenland. Its job was […]
Here the street is the background upon which single figures stand. (Or rather, lean). The streets become backdrop, grey slate with stripes and arrows, designs on the pavement. Doyle is more of a stalker than a flaneur. Eamonn Doyle i, Review by Ellen Wallenstein for ASX, June 2014 Eamonn Doyle’s book i is a […]