“It is true that he made images at a distance, at arms length as it were, but there is a considerable, rather a palpable feeling in the images that Heath is almost placing himself next to his subject”.
“To me, everything is language. Language allows you to use a limited set of elements to build ever changing and endless worlds.” Bruno V. Roels’ work encompasses many layers of language, economy, history and repetition which hints a greater understanding of where photography becomes complicit in its indelible position as a conduit for fragmented meaning. […]
“On a functional level, and trying to remove myself from the subjects involved, what “Billie” does besides pull on your emotions is to punish photography in a small way…”
“He just liked to take the pictures of me. In every pose. Rain or shine. And whatever I was doing. If I was doing the dishes or if I was half asleep. And he knew that I never, never said no. I was always there for him. Because I knew that Harry would only […]
Eleanor, Chicago, 1952 Interview with Harry M. Callahan, Conducted by Robert Brown in Providence, RI, February 13, 1975 The following oral history transcript is the result of a tape-recorded interview with Harry M. Callahan on February 13, 1975. The interview took place in Providence, RI, and was conducted by Robert Brown for the Archives of […]
Edith, 1970 @ Emmet Gowin “I realized that my own family — Edith’s family — was as miraculous as the most distant people in the world and they were at the same time, the most available to me, and perhaps available only to me…. I had not realized that art could be made by […]