Corinne on Gloucester Place, 1993 Wolfgang Tillmans has consistently pushed back against whatever perceptions of his work seem most current. The apparition of these faces in the crowd; Petals on
To combine cinematography with photography, Wall took his camera out of the studio along with lights and actors with the intention ofmaking pictures with the look of films from the 1970s that
And If, 1992 enamel on aluminum 52 x 36 in. (135 X 90 cm. First and foremost, Christopher Wool is a painter and when it comes to the discourse on
Bacon felt very strongly about phraseology. He erased words like ‘very, very’, or ‘well’, and ‘you see’, but added words like ‘accident’ and ‘artificial’.
It all happened in a second. With the rumbling of a great sound. On the next day, it was snowing, and people were freezing in cold recalling that scene… By
Daisuke Yokota’s Subversive Appreciation of Time.
The content may criticize the media or the state or the history of photography, but I would be disappointed if the work were reducible to any one of those things.
I was, part of a youth culture, a movement. And I greatly embraced this liberating music and club life, which was in such stark contrast to the posy-dressy 80s.
The photographer once stated dryly that the centripetal composition of all of his pictures was based on the Confederate Flag.
Today, Richard Prince, still glowing in triumph after his own copyright battle with Patrick Cariou, is simply screen-capturing his own participation on Instagram—brazenly selling inkjet enlargements of other people’s image
Since Richard Prince first exhibited infringing appropriated photographs, reproduction technologies have thrown established conventions into disarray.