“I think I was working in places like those for quite a while before I knew why I was working in them. I don’t have a car or a driver’s license, so I navigated Virginia on my bicycle or on foot the majority of the time.”
“Haunted by a crisis of faith in its authenticity, the documentary genre is continually trying to re-position itself in relation to today’s excesses of a post-truth ideology and blurred frames of realism.”
“I discovered an enormous story full of ramifications, a contemporary tale of corporate impunity, a mafia-like way of doing business, lies that affected and are affecting thousands of people and communities around the world.”
“Always when I went to prisons before they would say, ‘Do you want to see death row? Do you want to see the electric chair?’ I always said no. I didn’t want to see the electric chair because I figured it was just a voyeuristic trip.” By Geoff Kelly Bruce Jackson was first drawn […]
Stacy Kranitz ’s long-form photographic project As it was give(n) to me is a work that interrogates notions of documentary truth.
“Look, I’m kind of an explorer. I’m entering a world and it takes time.” A Magnum photographer, Bruce Davidson has been renowned since the late fifties for his photographs of gangs in Brooklyn, and subsequent projects including New York’s East 100th street, circus performers, civil rights marchers and the bad old days of the […]
Interview with Ben Shahn Conducted by Richard Doud at the Artist’s home in Roosevelt, New Jersey. April 14, 1964. RICHARD DOUD: I’d like to start with a general background of what you were doing prior to the time and how you managed to get with the Resettlement Program. BEN SHAHN: Well, I told you I […]
from The Grey Line The Grey Line Jo Metson Scott By Elizabeth Breiner for ASX, October 2013 The last few years have seen a surge in photography projects from the front lines, Afghanistan in particular, as a growing number of soldiers have found in the viewfinder a welcome reprieve from the insular solitude of their […]
“In Butte, Montana, he photographed a slovenly, middle-aged woman in her car with a sullen child staring out of the window behind her. He showed a bench full of decrepit old people in St. Petersburg, Florida, staring at nothing in particular while a shiny new Pontiac whizzed by on the street behind them.” By […]
Christine Osinski moved to Staten Island, New York in the early 1980s and immediately felt at home. Osinski had grown up on the South Side of Chicago and Staten Island had the same kind of muscular, working class sensibility she was accustomed to. Between 1983 and 1984 Osinski walked the borough with a […]
The collection includes 400 snapshot photographs made in the course of sound recording expeditions carried out by John Avery Lomax, Alan Lomax, and Ruby Terrill Lomax, between 1934 and ca. 1950 for the Archive of American Folk-Song.
The people in Owen’s book Suburbia, are still under the “spell” of the American Dream. They live in California suburban communities where, according to Owens, “everyone… lives ‘the good life’, which means having attractive homes, high paying jobs, swimming pools and shiny cars.” By James Guimond, excerpt from American Photography and the American Dream, […]