Andrew Miksys: Flowers of Ruin

Andrew Miksys’ “Tulips” is a book that I found when reading through Simon Baker’s picks for 2016. Having not seen the book, but fully trusting Baker’s taste, I inquired with Andrew about the book and was happily surprised at the overwhelming beauty of the object itself as well as the content inside.

Chloe Sells: The Morass of Sacred Geometry

“Trees, leaves, flowers are all given the Sells treatment and become abstracted metaphors of the sacred geometry still found between light and organic materials within the aforementioned natural world.”

ASX.TV: Stephen Shore – ‘Behind the Mythology’ (2013)

Stephen Shore is truly the photographers’ photographer. For over forty years, he has contributed his gift to the creative world through books, exhibitions and professorship. In this short documentary interview, Imagista’s director Heidi Hartwig dispels the mystery of the man behind the mythology.     EXPLORE ALL STEPHEN SHORE ON ASX

ASX.TV: William Eggleston – “The Colorful Mr. Eggleston” (2009)

William Eggleston is one of the most influential and original photographers alive today. A Mississippi aristocrat with a fondness for guns, drink and women, he dragged colour into the world of art photography. Reviled in the 1970s, he is now considered a legend whose unique visual style has influenced generations of photographers and filmmakers. Imagine […]

Luigi Ghirri: ‘Kodachrome’ (2013)

Egmond am Zee, 1973     Despite exposure in Europe during his lifetime, Ghirri remained relatively unknown outside of Italy. More than a decade after his death in 1992, galleries throughout Europe presented his work, and Aperture published his first monograph in English. By Allie Haeusslein, Associate Director at Pier 24 Photography, June 2013 The […]

DAVID MOORE: “Pictures from the Real World” (2013)

David Moore: Colour Photographs 1987-­88 Pictures From The Real World Essay by David Chandler If the chemically charged 1960s brought new constellations of colour to the drab austerity of post‐war Britain, then British documentary photography remained that period’s more sober shadow: resolutely black and white and firmly rooted in a past, it was the serious, […]