"What we cannot speak, we must pass over in a meaningless system of categorization."
These event headlines are embedded in this single image, now symbolic of defiance against the brute force of state power. It is both the beginning and the end – the
”Thomas sent across a very polite email, stating, ‘I am mostly interested in the surprising way you could digest such a body of material. I contacted you because I think
Cariou sued Prince and Gagosian, alleging that Prince’s Canal Zone works and exhibition catalog infringed on Cariou’s copyrights in the incorporated 'Yes Rasta' photographs.
Today, Richard Prince, still glowing in triumph after his own copyright battle with Patrick Cariou, is simply screen-capturing his own participation on Instagram—brazenly selling inkjet enlargements of other people’s image
Since Richard Prince first exhibited infringing appropriated photographs, reproduction technologies have thrown established conventions into disarray.
“Perrottet was an obsessive recorder of the physical possibilities of the human body, from its most subtle gestures to its most grotesque exertions”. By Eugenie Shinkle, ASX, May 2015 When
XZc7w, 2011 @ Doug Rickard Horrorcore, a sort of contemporary American gothic, with all the inherent inversion of values. INTERNET GOTHIC and Transcendentalism in the Age of Mechanical Reproduction By
Decline and Fall, Oil & canvas on board, 58.4 x 54.6 cm. 1995 “I will spend ages in front of an original and study they way the brush marks are
Infos zur Ausstellung im Kunthaus Bregenz: http://www.kunsthaus-bregenz.at/html/… Trailer: Ulrich Schwendinger Connect to the ASX world! Like us on Facebook, follow us on Twitter and Instagram.
From 1975-1977, Larry Sultan and Mike Mandel selected photographs from a multitude of images that previously existed solely within the boundaries of the industrial, scientific, governmental and other institutional sources
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