JH Engstrom Talks Photography, Transformation and Love for Paris

“I’m still in love with Paris. But then we are not in the beginning of our relationship, so I might look at it with more nuances than before.” JH Engstrom Interview, Brad Feuerhelm, ASX, April 2015 JH Engstrom’s incredible body of work circumnavigates the contemporary tradition of big dumb color photographs of abstracted nothingness for […]

ASX.TV – Jim Goldberg Follows a Stranger

Video by Jim Goldberg and Brandon Tauszik Produced by Sprinkle Lab Courtesy of the artist and Pace/MacGill Gallery, New York Eric William Carroll: Chicken (Inspired by Jim Goldberg) “Choose a person, preferably a stranger, to make a portrait of. After securing their permission, begin photographing them. Ask them to try a few poses, move the […]

Tape, Rope, Water, Milk and Bondage in ‘Other Rooms’

The images present a bloodless eroticism, uncanny, simultaneously sexual and absented of desire.   By Owen Campbell, ASX, January 2015 Tanlines, tape, rope, water, milk, Callis shows the way things push against the body and how the body pushes back, contracts, evades. Elements like water and shade subsume the human body; rope, as it presses […]

REVIEW: Daido Moriyama – “Labryinth” (2012)

Moriyama created Labyrinth (Aperture 2012) by rearranging/ remixing negatives from multiple decades to create new, original images. By Owen Campbell for ASX, February 2014 Life, in Daido Moriyama’s Labyrinth, is a succession of small, dark, dirty spaces that lead nowhere but to each other. There are patterns apparent to those willing to stay inside long […]

101 Tragedies of Enrique Metinides at Aperture (2013)

Untitled, (Adela Legarreta Rivas is struck by a white Datsun on Avenida Chapultepec, Mexico City, 29 April 1979) Despite their often gruesome content, it is fascinating and often too easy to look at Metinides’ pictures. In the same way that many of the photographs depict audiences amidst tragedy, we too become spectators of the event. […]

ASX.TV: Alec Soth – “Summer Nights at the Dollar Tree” (2012)

Alec Soth encountered Robert Adams’s 1985 monograph Summer Nights as a young photographer, and the book was, in his words, a “gateway drug” to the “harder stuff” in Adams’s body of work. When asked to participate in Aperture Remix, an exhibition for which artists were commissioned to create new work in response to Aperture publications […]