Alec Soth: A Furious Honesty

“I know How Furiously Your Heart is Beating is not Alec Soth’s most important body of work and perhaps for no reason other than the glory of the new will my words be seen as critically negative”.

Nancy Rexroth: Iowa, A Dream State Not Your Own

“Iowa as book itself harbors this moored kingdom previously mentioned as a state of internal configuration and a series of fluid and potential possible memories prescribed for others. It is an evocation of sorts.”

Kenneth Graves: Dropping In, Tuning Out of the Home Front

“In my late 30’s and cynical beyond belief, I actually find this little book creating a new space or affection for the idea of the 60’s and 70’s that I had shelved previously under “cyclical fucking baby boomer bullshit”.

Alec Soth on ‘Songbook’

“A lot of the language surrounding Songbook is about community and American culture…and that stuff’s in there, but actually what I wanted to do with it is talk to something more primal, more internal, and more about the human condition than the American condition. It’s the great problem of consciousness.” —Alec Soth   Alec Soth […]

Alec Soth’s ‘Songbook’ at Sean Kelly Gallery

Near Gainesville, Georgia, , 2014 © Alec Soth, Courtesy: Sean Kelly, New York   By Shahrzad Kamel, February 2015 Following the critical acclaim for Alec Soth’s Sleeping by the Mississippi his oeuvre has become very wide and far-reaching, encompassing work that is either deeply internal, at times more external or editorially-driven assignment work. I was a […]

Undigestible Dreams of America – Alec Soth ‘Songbook’

 “If today I look back on this morning, then I get an image of what I saw this morning. But if tonight, I’m thinking back on this morning, then what I’m really recalling is not the first image, but the first image in memory. So that every time I recall something, I’m not recalling it […]

Alec Soth – “Summer Nights at the Dollar Tree” (2012)

Alec Soth encountered Robert Adams’s 1985 monograph Summer Nights as a young photographer, and the book was, in his words, a “gateway drug” to the “harder stuff” in Adams’s body of work. When asked to participate in Aperture Remix, an exhibition for which artists were commissioned to create new work in response to Aperture publications […]