“I tell myself that I am a limitless being until I realize my left shoe is untied and I sit on the curb to attend to its misshapen spaghetti-form of inconsequential circumstance. What point these shoes”?
Excerpt from Popular Photography, August 1995 Q: When did you get the original assignment to photograph the drug scene? A: I made a trip to Detroit for Life in the late 1980’s to research the drug problem. It went badly. I couldn’t get anyone to help me break into the downtown Detroit scene. When I […]
Evi, Beverly Hills, 1996 “I like the idea of trespassing. I got to write that down too. It’s quite true that what I am aiming at, even when I take portraits, is to get a scandalous picture. I would love to be a paparazzo.” – Helmut Newton EXPLORE ALL HELMUT NEWTON ON […]
In the fall of 1990, Keizo Kitajima received a commission from Japan’s Asahi Shimbun newspaper to visit the Soviet Union, the opportunity to spend a year documenting both people and places in what was then a monolithic entity. 15 republics, 11 time zones, and thousands of miles spanning the two—the task was daunting in […]
“One of the reasons I could give myself permission was that no one was looking. I didn’t even have the idea of an audience…” A Conversation with Richard Prince This interview is excerpted from a public conversation with Richard Prince, recorded at the Whitney Museum of American Art, May 13, 1992. BW: I want […]
Seen at the Kunsthalle, Zurich.