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EUGENE ATGET
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GEORGE MITCHELL
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GOTTFRIED HELNWEIN
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GREGORY CREWDSON
GUY TILLIM
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HALLY PANCER
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HEIN-KUNH OH
HELMUT NEWTON
HENRI CARTIER-BRESSON
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HELEN LEVITT
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MITCH EPSTEIN
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NAN GOLDIN
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RENNIE ELLIS
RICHARD AVEDON
RICHARD BENSON
RICHARD BILLINGHAM
RICHARD KERN
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ROY DECARVA
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RYAN MCGINLEY
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SABELO MLANGENI
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SAUL LEITER
SCOT SOTHERN
SERGEY CHILIKOV
SHELBY LEE ADAMS
SHOMEI TOMATSU
SIMEN JOHAN
SOPHIE RISTELHUEBER
STEPHEN SHAMES
STEPHEN SHORE
STEVEN KLEIN
STEVEN MEISEL
SUSAN MEISELAS
SZE TSUNG LEONG
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TAKUMA NAKAHIRA
TANYTH BERKELEY
TARYN SIMON
TERRY RICHARDSON
THOMAS RUFF
THOMAS STRUTH
TINA BARNEY
TOBY OLD
TODD HIDO
TOM WOOD
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TRENT PARKE
TRICIA LAWLESS-MURRAY
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VICTOR COBO
VIVIAN MAIER
VIVIANE SASSEN
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A
ALEC SOTH: “Dismantling My Career”
ANDREAS GURSKY: “The Dialectics of Time – Reflections on the Work of Andreas Gursky, Omer Fast and Allen Sekula”
ANDREW BUSH: “INTERVIEW” (2009)
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BILL BRANDT: “A True But Fictional First Encounter”
BILL OWENS: “A Vision of Suburban Bliss Edged With Irony” (2000)
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DAIDO MORIYAMA: “Taka Iishi Gallery” (2009)
DANNY LYON: “Stubbornly Practicing His Principles of Photography” (2009)
DASH SNOW: “Is a Rising Star of the New York Art Scene – And a Committed Political Protester”
DASH SNOW: “The Accidental Insider – Moments Like This Never Last”
DAVID LACHAPELLE: “Hotel LaChapelle” (1999)
DAVID LACHAPELLE: “Interview with Blackbook” (2004)
DAVID LACHAPELLE: “Modern Painters” (2006)
DAVID LACHAPELLE: “The Americans” (2006)
DAVID LACHAPELLE: “The Only Link Between Andy Warhol and J-LO”
DIANE ARBUS: “A Personal Snapshot”
DIANE ARBUS: “Where Diane Arbus Went”
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ED RUSCHA: “Interview” (2008)
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GILLES PERESS: “Post-Mortem Photography – Gilles Peress and the Taxonomy of Death” (1999)
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HELEN LEVITT: “Useless Reportage – Notes on Helen Levitt’s In the Street”
HELMET NEWTON: “June Newton – The Reluctant Muse”
HELMUT NEWTON: “Skewing Lines – On Pervs, Pearls and Sex Dolls”
HELMUT NEWTON: “The Edge of Decadence Was His Own Imprint”
HENRI CARTIER-BRESSON: “My Time with Henri Cartier-Bresson”
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INEZ VAN LAMSWEERDE + VINOODH MATADIN: “Press Packet”
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JAMES CURTIS: “MAKING SENSE OF DOCUMENTARY PHOTOGRAPHY”
JOSEPH SZABO: “Talking with Joseph Szabo” (2010)
JOSEPH SZABO: “Teenage Kicks” (2007)
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LARRY FINK: “Attraction and Desire” (2011)
LARRY CLARK: ““Drawing You Into the Moral Void of Gorgeously Sensuous Squalor” (2003)
LUC DELAHAYE: “A Conversation with Quentin Bajac”
LARRY CLARK: “Eye of the Storm” (2000)
LARRY CLARK: “What is This?” (1992)
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MARTIN PARR: “Ruthless Courtesies – The Making of Martin Parr”
MIKE BRODIE: “RIDIN’ DIRTY FACE: THE TRAIN PHOTOGRAPHY OF MIKE BRODIE” (2011)
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NAN GOLDIN: “Press Packet”
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PHILIP-LORCA DICORCIA: “Attentive Contradictions: The Photographic World of Philip-Lorca diCorcia.” (2008)
PAUL FUSCO: “R.F.K., R.I.P., REVISTED” (2008)
PHILIP-LORCA DICORCIA: “Five Nights of a Dream”
PHILIP-LORCA DICORCIA: “Up State.”
PHILIP-LORCA DICORCIA: “Working the Angles with Hollywood’s Hustlers”
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“REDEFINING VISUAL CULTURE” (2011)
RICHARD AVEDON: “Jacob Israel Avedon” (Nov. 1974)
RICHARD PRINCE: “To Know, Know, Know Him”
ROBERT ADAMS: “Press Packet”
ROBERT FRANK: “Parkett 83 – Fifty Years Down the Road” (2008)
ROBERT FRANK: “Slightly Tattered Dreams”
ROBERT FRANK: “‘The Americans’ (Kerouac) Essay”
ROGER BALLEN: Catalogue – “Art Gallery of Western Australia”
ROGER BALLEN: Catalogue – “Outland”
ROGER BALLEN: Catalogue – “Iziko National Gallery”
ROGER BALLEN: Catalogue – “Triennale di Milano”
ROGER BALLEN: “In Conversation with Doug McClemont” (2009)
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SALLY MANN: “What Remains” (Corcoran Installation Wall Text)
SALLY MANN: “Mann Made”
SUSAN SONTAG: “Looking at War – Photography’s View of Devastation and Death”
STEPHEN SHORE: “Stephen Shore in Conversation with Lynne Tillman”
T
TERRY RICHARDSON: “Introduction”
TIERNEY GEARON: “Mother’s Pride”
THOMAS RUFF: “Street and Interior: On the Work of Thomas Ruff.” (1991)
THOMAS RUFF: “Lack of Faith: On Thomas Ruff.” (1991)
TARYN SIMON: “Access All Areas” (2008)
TARYN SIMON: “Q & A – Photog’s Descent into the Underworld” (2011)
THOMAS RUFF: “Spectacle and Surveillance” (1991)
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V
“Voyeurism, Surveillance and the Camera”
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WILLIAM CHRISTENBERRY: “Country Roads”
WALKER EVANS: “American Photographs – NY MOMA Press Release” (1938)
WALKER EVANS: “WALKER EVANS. OR IS IT?”
WEEGEE: “Life and Death (Mostly Death) in the Streets – Weegee and Film Noir”
WEEGEE: “Through Weegee’s Lens”
WILLIAM EGGLESTON: “Night Vision: The Unseen Cinema of William Eggleston”
WILLIAM EGGLESTON: “NY MOMA Press Release” (1976)
WILLIAM EGGLESTON: “William Eggleston and the Rise of Color Photography” (2010)
WOLFGANG TILLMANS: “Press Kit”
“Words Without Pictures”
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ANTHONY HERNANDEZ: “LOS ANGELES PUBLIC TRANSIT AREAS” (1975)
ARTHUR ROTHSTEIN: “SELECT PICTURES FROM THE FSA PROJECT”
ANDY WARHOL: “Polaroids”
“AMERICAN MODELS”
ARTHUR TRESS: “PHOTOGRAPHS”
ASGER CARLSEN: “WRONG”
AUGUST SANDER: “People of the 20th Century”
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BILL BURKE: “I WANT TO TAKE PICTURE”
BETTIE PAGE: “CAMERA CLUB”
BERENICE ABBOTT: “PHOTOGRAPHS”
BILL OWENS: “SUBURBIA” (1972)
BEN SHAHN: “SELECT PICTURES FROM THE FSA PROJECT”
BILLY MONK: “CAPE TOWN NIGHTCLUBS” (1967-1969)
BRAD ELTERMAN: “PAPARAZZO”
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CRYSTAL K.D. HUIE: “ARKANSAS” (1972)
CARL MYDANS: “VARIOUS AMERICAN SCENES” (1930′s)
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DOROTHEA LANGE: “PORTRAITS” (1935 – 1939)
DAGUERROTYPE: “PORTRAITS”
DASH SNOW: “Collage”
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EDWARD HOPPER: (1882-1967)
ELMER BATTERS: “FETISH”
E.J. BELLOCQ: “STORYVILLE”
EMMET GOWIN: “PHOTOGRAPHS”
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HELEN LEVITT: “COLOR” (1971-1981)
HENRY CLAY ANDERSON: “MIDDLE-CLASS” (1940-1960′s)
HELMUT NEWTON: “COLOR”
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JURY RUPIN
JOHN COLLIER JR.
JUERGEN TELLER: “GO-SEES”
JAY JAFFEE: “NEW YORK, NEW YORK”
JOHN VACHON
JACK DELANO: “SELECT PICTURES FROM THE FSA PROJECT”
JAN UNG: “Twyford School” (1979)
JOACHIM BROHM: “OHIO”
JOHN DIVOLA: “DOGS CHASING MY CAR IN THE DESERT” (1995-1998)
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KARLHEINZ WEINBERGER: “REBEL YOUTH” (1950-1960′s)
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LEWIS BALTZ: “NEVADA”
LARRY CLARK: “Tulsa” (1971)
LEE FRIEDLANDER: “MADONNA” (1979)
LEWIS BALTZ: “PARK CITY” (1980)
M
MICHAEL SCHMIDT: “UNITY”
MAX REGENBERG: “COME TO WHERE”
MALICK SIDIBE: “PORTRAITS” (1960-1980)
MIKE DISFARMER: “DISFARMER PORTRAITS”
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NOBUYOSHI ARAKI: “TOKYO NUDE” (1988)
NOBUYOSHI ARAKI: “GAGA”
NIKOLAY BAKHAREV: “BAHAREVLAND”
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ROBERT K. HOWER: “KENTUCKY”
RENNIE ELLIS: “KING’S CROSS” (1970-71)
RICHARD AVEDON: “IN THE AMERICAN WEST”
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SABELO MLANGENI: “COUNTRY GIRLS” (2003-2009)
SCOT SOTHERN: “LOWLIFE”
SERGEY CHILIKOV
T
TANYTH BERKELEY: “PORTRAITS”
TERRY EVANS: “KANSAS”
THOMAS RUFF: “JPEGS”
THOMAS RUFF: “NUDES”
TONY STAMOLIS: “FREZNO”
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WILLIAM BELL: “WAR WOUNDS”
“WILLIAM REAGH’S LOS ANGELES”
“WISCONSIN DEATH TRIP EXCERPTS”
WALKER EVANS: “AMERICAN PHOTOGRAPHS” (1938)
WALKER EVANS: “MOVING PICTURES”
WALKER EVANS: “POLAROIDS”
WALKER EVANS: “WEST VIRGINIA. JULY, 1935.”
WILLIAM EGGLESTON: “BEFORE COLOR”
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(All images @ Rennie Ellis Estate)
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RENNIE ELLIS: "KING'S CROSS" (1970-71)
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