INTERVIEW: “Gil Blank and Stephen Shore in Conversation” (2007)

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Gil Blank and Stephen Shore in Conversation (2007), Originally published in Whitewall Magazine, Volume 7, 2007 GIL BLANK: Over the last five to ten years, the work of yours that has increasingly come to the widest attention relates most directly to what began in Uncommon Places — photographs especially remarkable for their self-consciousness as pictorial assemblies. STEPHEN SHORE: Yes. GIL BLANK: But your current retrospective has gone a long …

INTERVIEW: “Gil Blank and Stephen Shore in Conversation” (2007)

DER ROTE BULLI (THE RED VW BUS): “On the Reception of Stephen Shore’s Work in Germany 1972-1995″ (2010)

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El Paso Street, El Paso, Texas, July 5, 1975 On the Reception of Stephen Shore’s Work in Germany 1972-1995 “To be sure, that is also the expression of a particular vital consciousness.” (Essay excerpt from Der Rote Bulli ,Stephen Shore and the New Düsseldorf Photography 2010, brought to ASX by NRW-Forum Düsseldorf) By Christoph Schaden, NRW-Forum Düsseldorf, 2010 The typical historical account of the effect a body of photography exercises on i…

DER ROTE BULLI (THE RED VW BUS): “On the Reception of Stephen Shore’s Work in Germany 1972-1995″ (2010)

STEPHEN SHORE: “NRW-Forum Düsseldorf – Der Rote Bulli (The Red Bus)” (2010)

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Church and Second Streets, Easton, Pennsylvania, June 20, 1974 Der Rote Bulli. Stephen Shore and the New Düsseldorf Photography, September 11, 2010 – January 16, 2011 For the 2010 Quadrennial, the NRW-Forum Düsseldorf is focusing for the first time on an important chapter in the recent history of photography: the transatlantic influence on photography in the 1970s and 1980s. Right at the heart of this chapter is a friendship between thre…

STEPHEN SHORE: “NRW-Forum Düsseldorf – Der Rote Bulli (The Red Bus)” (2010)

STEPHEN SHORE: “The Landscape of Stephen Shore at the ICP” (2007)

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From the series American Surfaces The Landscape of Stephen Shore at the ICP By Carl Gunhouse, May 22, 2007 Looking at Stephen Shore’s large-format pictures of America, it might be hard to believe the images were once controversial. In retrospect, the pictures look to be squarely located in a rather clear history, starting with Carlton Watkins and proceeding through to current German photography. But during the early and mid seventies lar…

STEPHEN SHORE: “The Landscape of Stephen Shore at the ICP” (2007)