 William Charles Everlove; 26 years old; Stockholm, Sweden, via Arizona; $40, (1990-92) Conducted by Charlotte Cotton, July 2006 Charlotte Cotton: The Hustlers series brought the first art- world attention to your way of staging photographs. How was this series created? Philip-Lorca diCorcia: It was made over the course of a couple of years, on five or six trips. I’d travel out to L.A. to shoot, staying in the motel where Janice Joplin had died… INTERVIEW: “Philip-Lorca diCorcia on Hustlers & Thousand” (2006)  Head No. 13, 2000 By Peter Galassi, Originally published in ArtForum, Summer, 2001 This time Philip-Lorca diCorcia’s stage set is Mayor Giuliani’s tarted-up Times Square, although you’d hardly guess it from the pictures. The photographer’s signature electronic flash units are hidden in a walkway beneath a contractor’s scaffolding, which serves the added purpose of shielding the passersby from any other light. An X… PHILIP-LORCA DICORCIA: “Philip-Lorca diCorcia – Portfolio” (2001)  Cinnamon and sugary and softly spoken lies, You never know just how you look through other people’s eyes Butthole Surfers By Philip-Lorcia DiCorcia, Intro to the Yale Handbook, 2008 The warp in the fabric of Art History that connects Walker Evans and Kenneth Anger links social consciousness and narcissism, formalism and formlessness, the private and public, the oblique and the blunt, the tried and the true, the here today and the gone to… PHILIP-LORCIA DICORCIA: “Yale Handbook” (2008)  Havana, 1999 Street Fare: The Photography of Philip-Lorca Dicorcia By Andy Grundberg, Originally published in ArtForum, February, 1999 Inasmuch as movies seem to wag real events these days, it’s not much of a stretch to see Philip-Lorca diCorcia’s recent color photographs of crowded city streets as film stills of everyday life. They certainly have the look: Artificially lit from off-camera sources that supplement natural daylight (… PHILIP-LORCA DICORCIA: Street Fare: The Photography of Philip-Lorca Dicorcia” (1999) |
