INTERVIEW: “Oral History Interview with Imogen Cunningham – June 9th, 1975″

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Oral history interview with Imogen Cunningham, 1975 June 9, Archives of American Art, Smithsonian Institution. Interview with Imogen Cunningham Conducted by Paul J. Karlstrom and Louise Katzman At the Artist’s home in San Francisco, California June 9, 1975 The following oral history transcript is the result of a tape-recorded interview with Imogen Cunningham on June 9, 1975. The interview took place in San Franacisco, CA, and was conduct…

INTERVIEW: “Oral History Interview with Imogen Cunningham – June 9th, 1975″

PAUL GRAHAM: “Sliding Sight, Setting Suns” (2008)

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…re, I do not credit the epiphanic, the seeing through that reveals all, triggered by a mastering of detail…Life’s moments truly come at us heedless, not at the bidding of a gilded fragrance.’ Richard Ford, The Lay of The Land Paul Graham’s route-less journeys around America that had begun back in the summer of 2004, went on during 2005 and for most of 2006. He continued driving, to and from places, visiting and not visiting; the locations, towns …

PAUL GRAHAM: “Sliding Sight, Setting Suns” (2008)

PAUL GRAHAM: “A Shimmer of Possibility” (2009)

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New Orleans (Woman Eating), 2004 By Michael Almereyda Arranged on a shelf, or stacked flat, the twelve slender books comprising Paul Graham’s A Shimmer of Possibility make for an alluring chromatic spectacle. The bindings are uniform, but their colors range across three shades of green, two grays and two purples, bright red, blue, orange, brown. Graham might have been in danger of generating just another photo book — a production of burdensome…

PAUL GRAHAM: “A Shimmer of Possibility” (2009)

INTERVIEW: “Paul Graham with Richard Woodward” (2007)

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… of youth, no doubt… but by 1987, I we had this juggernaut of color documentary photography emerging in England; it had really taken off. Martin Parr switched to color, so did people like Tom Wood, and then our students, like Paul Seawright or Richard Billingham or Nick Waplington came along. So… I felt it was time to move on from that, before it became exhausted. For example, the mixing of landscape with war photography in Troubled Land was stri…

INTERVIEW: “Paul Graham with Richard Woodward” (2007)