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 By F. Jack Hurley Originally published in IMAGE: Journal of Photography and Motion Pictures of the International Museum of Photography at George Eastman House, September, 1973 To try to capsulize the work of Russell Lee into a short article is an essentially impossible task. The man has been active in the field of photography so long and in so many different ways. There are certain themes, however, which do assert themselves. Russell Lee is a…  Untitled (man with arms around two women), 1950-60′s Lee Balterman’s Chicago By Paul Berlanga, Director, Stephen Daiter Gallery Lee Balterman has romanced the city of Chicago with his camera for six decades and shows no sign of falling out of love. A couple of weeks ago I mentioned to Lee that my partner and I had managed to grab a last lunch at the legendary Berghoff restaurant without standing in line; two- to three-hour waits be…  Out of the Cool – Lee Friedlander at the V&A By Gerry Badger, from Creative Camera (1991) ‘That scrawny cry – it was A chorister whose c preceded the choir It was part of the colossal sun, Surrounded by its choral rings, Still far away. It was like A new knowledge of reality.’ Wallace Stevens1 The second essay I ever wrote upon the subject of photography was about the work of Lee Friedlander, on the occasion of an exhibition o…  Florida, 1963 By Carol Armstrong, ArtForum, September 2005 Walking with a friend through the Lee Friedlander retrospective at MOMA, I noticed that the two of us each had a different way of looking at almost every early street photograph on view: One of us saw the photograph a certain way right off the bat and couldn’t easily see it otherwise, while the other noticed everything else in the photo and could only see the “hook” … LEE FRIEDLANDER: “Lee Friedlander: Museum of Modern Art, New York” (2005) | ||||||||||||||
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