GARRY WINOGRAND: “Class Time with Garry Winogrand” (1974 – 1976)

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…nage to get into the basic photography class but no other required classes. So I had to take a lot of electives my first year. I asked Schaaf for an elective idea and he recommended I take the Art Photography course taught by Garry Winogrand. At that time I had never heard of Winogrand and all Schaaf said about him was “head to the library and study his work, it will be different than what you learn here.” What an understatement that turned out t…

GARRY WINOGRAND: “Class Time with Garry Winogrand” (1974 – 1976)

GARRY WINOGRAND: “I Don’t Give a Rap About Gasoline Stations – The Winogrand Problem” (1988)

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Utah, 1964 Garry Winogrand: . . . ‘I forgot what year when Robert Frank’s book came out. He was working pretty much around that time, ’55 or whenever it was. And there were photographs in there, particularly that gas station photograph, that I learned an immense amount from . . .’ Student: ‘What you’re responding to, is it the quality of the intelligence that states the problem?’ Garry Winogrand: ‘Yeah, I don’t give a rap about gasoline statio…

GARRY WINOGRAND: “I Don’t Give a Rap About Gasoline Stations – The Winogrand Problem” (1988)

GARRY WINOGRAND: “The Animals and Their Keepers: Garry Winogrand and Photography After September 11th”

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The Animals and Their Keepers: Garry Winogrand and Photography After Septempber 11 By Hilton Als “The Animals,” a book I was moved to reexamine after the events of Sept. 11, 2001, is the deliberately literal-sounding title of photographer Garry Winogrand’s first book of photographs, which was published in 1969, some 20 years after the artist embarked on his life’s work that of becoming the Theodore Dreiser of the lens. Winogrand was New York’s…

GARRY WINOGRAND: “The Animals and Their Keepers: Garry Winogrand and Photography After September 11th”

GARRY WINOGRAND: “Standing on the Corner – Reflections Upon Garry Winogrand’s Photographic Gaze – Mirror of Self or World? Part II” (1991)

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Part II (This is the second of a two-part essay on the work of Garry Winogrand.) By Carl Chiarenza Originally Published in IMAGE Magazine: Journal of Photography and Motion Pictures of the International Museum of Photography at George Eastman House, Volume 35, Number 1–2, Spring-Summer, 1992 About looking and watching. That is what so many of Winogrand’s pictures are about—about his looking and watching. And that is why I think, in cle…

GARRY WINOGRAND: “Standing on the Corner – Reflections Upon Garry Winogrand’s Photographic Gaze – Mirror of Self or World? Part II” (1991)

 
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