“It is often confusing being an American. We are a country deeply concerned with our personal histories, yet there is something peculiar about all of this in so much as
“The image itself is being hailed as an icon of the current struggle between the American police state and the tremors of their abhorrent measure to kill young black Americans,
"I do not care if you like Kanye or his music, but if you are not realizing the genius surrounding his product empire, you may be guilty of overlooking what
“My work in the landscape is ultimately about human culture, not about nature. I always think of landscape as historical, or historicized; as not existing outside of history.”
"I personally cannot even “see” porn anymore. Perhaps I am desensitized, but I fail to adhere to the moralistic innuendo that is applied to a word like pornography."
Los Angeles – Depart Foundation had its first solo exhibition of works by Los Angeles based artist Petra Cortright. Curated by Paul Young, NIKI, LUCY, LOLA, VIOLA, on view during
"It was about being yourself and fuck what anybody else thought"
The images remind me of the bulk of 70’s American photography. There is a bit of Arbus, Friedlander, Robert Frank, Garry Winogrand, Bill Owens.
“Many photographers focus on capturing their loved ones, but it is difficult to give such portraits a universal dimension so as to be interesting to a larger audience than the
A Young Man in Curlers at Home on West 20th Street (N.Y.C. 1966) Arbus uses a strong flash to create a high-contrast photograph in “A Young Man in Curlers at
And If, 1992 enamel on aluminum 52 x 36 in. (135 X 90 cm. First and foremost, Christopher Wool is a painter and when it comes to the discourse on