There are almost no humans in Wender’s photos. I almost forget there’s a human behind the camera in a way that would never happen with other road trip photographers.
"Drive, look, and photograph. That was the beauty of it—it didn’t matter where I went."
Cariou sued Prince and Gagosian, alleging that Prince’s Canal Zone works and exhibition catalog infringed on Cariou’s copyrights in the incorporated 'Yes Rasta' photographs.
The photographer once stated dryly that the centripetal composition of all of his pictures was based on the Confederate Flag.
"I came to believe that there was something more meaningful going on––something stronger and more compelling, something that seemed almost woven into the fabric of the American psyche."
It is a description that I would not normally associate with photography books, but Philip Brookman’s Redlands is a real page turner. By Karin Bareman, ASX, July 2015 It is
Today, Richard Prince, still glowing in triumph after his own copyright battle with Patrick Cariou, is simply screen-capturing his own participation on Instagram—brazenly selling inkjet enlargements of other people’s image
The words, "Southern Rites", are at once a pun on the American ritual of prom... and an echo of the infamous canard, “state’s rights”.
William Gedney, largely unknown in art world, outside of a few colleagues and curators, including John Szarkowski, Lee Friedlander, and Diane Arbus.
Satanic Panic Part II
Many Japanese photographers came to New York to take photographs in the seventies and eighties, Kitajima arguably produced the best. Keizo Kitajima spent six months in New York roaming it’s