‘linoleum buckles on counter tops, and unseasoned lumber twists walls out of plumb before the first occupants arrive.’
"This symbology, this fervent fabric of decline is screened within the book, but it is subtle and perhaps that is why, it is doomed, like human behaviour and meaning, to
"If anything the entire movement (my films at least) was anti-sex or about how sexual desire and relationships fuck up everything."
“Takashi Homma is indebted to Robert Frank. This much is clear. He is as sick of goodbyes as are the best of the Swiss and as are the best of
"We have inherited a way of understanding events and time through images or are allowed to fashion our own prognosis of the interpretation of linear elements by looking inward and
“I like to think of Elemer as a symbolic character in the series. His appearance instantly made me think of fragility. This is one of the reasons why I found
“It is often confusing being an American. We are a country deeply concerned with our personal histories, yet there is something peculiar about all of this in so much as
“The image itself is being hailed as an icon of the current struggle between the American police state and the tremors of their abhorrent measure to kill young black Americans,
"I do not care if you like Kanye or his music, but if you are not realizing the genius surrounding his product empire, you may be guilty of overlooking what
“My work in the landscape is ultimately about human culture, not about nature. I always think of landscape as historical, or historicized; as not existing outside of history.”
"I personally cannot even “see” porn anymore. Perhaps I am desensitized, but I fail to adhere to the moralistic innuendo that is applied to a word like pornography."
Los Angeles – Depart Foundation had its first solo exhibition of works by Los Angeles based artist Petra Cortright. Curated by Paul Young, NIKI, LUCY, LOLA, VIOLA, on view during