"There nothing more boring than, lets say, a picture of a chair and everybody looking at it thinks, well, thats a chair."
“It’s always the differences that inspire. We rarely document the “familiar outside”
“And beyond Fathi’s unique picture album that circles around Pauli and the so-called “Pauli Effect” the publication captures all the facets that finally determine a notable bookwork”
“You’re right in saying that it is an examination of power, because power needs to be examined in order to be structured”
"They form experiences that, like I have previously mentioned, are de-materialized and completely aural, if not spiritual"
“Every media has its own effect and fascination” Beni Bischof’s a product of his generation. His artistic output seems to make peace with being raised in the 70s and 80s.
It is clever enough to remain completely autonomous and lacks the problematic discourse of “trying too hard”.
Axel Hoedt’s “Dusk” is a real enemy of the cross - a concise and metaphoric look at the subjects of the Swiss and Austrian tradition of carnival.
It could be said that Robert Rauschenberg and Andy Warhol have created a bastard child where trash and glitter are king of the streets, but have moved into the studio
“Perrottet was an obsessive recorder of the physical possibilities of the human body, from its most subtle gestures to its most grotesque exertions”. By Eugenie Shinkle, ASX, May 2015 When
(Images © The estate of Karlheinz Weinberger) For decades the work of Swiss photographer Karlheinz Weinberger was shrouded in obscurity. In the 1950s he published numerous homoerotic photographs under the
As part of the exhibition Car Fetish. I drive, therefore I am Museum Tinguely in Basel, Switzerland presents works from the Vector Portraits series of Los Angeles-based artist Andrew Bush.