“Though the clues to what could be considered “absent” “voided” or “gone” are not to be entirely championed nor ignored, the work follows a circular format. It is an examination
“For me, almost every home is the image of a person”
“A good number of the images allegedly had annotations written on the images such as “not interested in pictures”, “Deceased”, and “Looks better from the ground” written on them”
“It is also to remind people that the condition of “evil” or trauma exists only in the post-event and that we do not recognize, as Arendt mentions, the force of
“The impure spectacle of such visions are entitled to the epileptic alone though the corroboration of these events can be described by other seizure subscribers partially as “primordial” for lack
“Certainly, Tillmans is enormously curious, yet his works offer surprisingly little insight. All is surface and rarely is it scratched”
"The wandering couple coerces themselves towards enlightenment by consulting their unease through a distorted prismatic light, and hence gives their world a credence not found in the symbolic disorder of
Corinne on Gloucester Place, 1993 Wolfgang Tillmans has consistently pushed back against whatever perceptions of his work seem most current. The apparition of these faces in the crowd; Petals on
"When it comes to thinking about and working with photographic images nowadays, I think it’s crucial to engage with the ways these images are being produced, presented and perceived."
”The whole city though I am only in a neighborhood seems capable of changing its face as I am carried through it offering possibilities for omni-architectural and urban planning on
I can imagine what it is to wake up in a city like Dresden the morning after being carpet bombed by Allied forces in 1945...