“Arbus reveals the powerful ability of photography to lie, but also it is a testimony of how the lie is not mere betrayal, but a far-reaching human necessity to escape
“I am sometimes prone to being infuriated by novelty in photography. In particular, when the use of archive or vernacular material is concerned”
“Religions in general, are indeed a great example how power is (ab)used over people for the elite to keep the desired order on society. It’s not a case that Mafia
“Perhaps she is transsexual. My only real experience with Italy prior to 2002 is when I tried desperately to buy weed from a transsexual prostitute along the outer wall of
“The castle, which controls the populace, does so through an absolute production of its image. It is a tale in which plebian might is as disorganized as any contemporary parallel
"I did recognise the irreplaceable object and destroyed it and my embattled state of mind with America continues."
“This no ladder-like interaction among images possibly triggers many forms of interplay and an autonomous exchange between the work and the viewer”
'ATEM' is to use photographs for what they really are, non-representational epitaphs of moments rendered in silver with little meaning.
…the book is a small marvel that connects Silvio Berlusconi’s late night sex parties to the economy of interchangeable ways in which we, or perhaps better, Berlusconi sees the women
Is it high art? Well, put something in a museum, as they say. Some viewers are sure to scoff at what might be misconstrued as pin-up girl pics; indeed, in
It’s clear that more so than the human body, Mollino was attracted to the aesthetic abstraction of beauty as a lifestyle. By Owen Campbell, ASX, November 2014 Carlo Mollino was