‘A compilation of five interconnected projects, Dark Rooms moves in cycles: birth and death, acquiring and discarding, the banality of routine.’
"Already rife with distrust, crooked smiles, and manufactured cutout econo-kit fashions, these images betray their ultimate aim, which is to represent an ideology through a gesture of the candidate’s ¾
"His platform, his incessant toil and his ability to know every single photographer/artist or organization in the world has garnered much for the artists he works with."
"It’s Teller doing Teller, and he’s not even putting his back into it."
"They form experiences that, like I have previously mentioned, are de-materialized and completely aural, if not spiritual"
"It was about being yourself and fuck what anybody else thought"
There was something nearly satisfying in the midst of tying his sister’s best friend to a board of broken glass
So goes the hysterical re-invention of hysteria by Javier Viver
I wanted very badly to rally the troop of self against THE MACHINE...
Charlotte Lybeer’s “Epidermis II” for APE is not about teletubbies or suicide, but it is about the veil or a practice of shrouding oneself called “Zentai”, which like all things
"In my opinion, the devastating confusion that capitalism wreaks upon the coherence of memory and history renders almost all imagery, and in particular, photography, as bearer of the uncanny."