"When it comes to thinking about and working with photographic images nowadays, I think it’s crucial to engage with the ways these images are being produced, presented and perceived."
“It is often confusing being an American. We are a country deeply concerned with our personal histories, yet there is something peculiar about all of this in so much as
“There is a whole history of photography fronted by Rosalind Wolf Purcell, Akin and Ludwig, and a few others called “Formaldehyde photography”.
"Completely captivated by the photographic possibilities of light, both artists come at the medium with a desire to seek the extraordinary, in order to access invisible states of consciousness."
"Trees, leaves, flowers are all given the Sells treatment and become abstracted metaphors of the sacred geometry still found between light and organic materials within the aforementioned natural world."
"These spaces now hide, move, dwindle or extinguish themselves from the aim of progressive rule. There is not an alternative."
"I was especially interested in the ideas of modernisation and particularly the belief that we have developed in a linear fashion - always going to something better."
‘A compilation of five interconnected projects, Dark Rooms moves in cycles: birth and death, acquiring and discarding, the banality of routine.’
"Already rife with distrust, crooked smiles, and manufactured cutout econo-kit fashions, these images betray their ultimate aim, which is to represent an ideology through a gesture of the candidate’s ¾
"His platform, his incessant toil and his ability to know every single photographer/artist or organization in the world has garnered much for the artists he works with."
"It’s Teller doing Teller, and he’s not even putting his back into it."
"They form experiences that, like I have previously mentioned, are de-materialized and completely aural, if not spiritual"