“You’re right in saying that it is an examination of power, because power needs to be examined in order to be structured”
“The huge and quite exaggerated size of his signatures, the mushrooming of his stamps with the clear mention of the copyright “by G. Fieret” render apparent Fieret’s excessive need for
Corinne on Gloucester Place, 1993 Wolfgang Tillmans has consistently pushed back against whatever perceptions of his work seem most current. The apparition of these faces in the crowd; Petals on
“I like to think of Elemer as a symbolic character in the series. His appearance instantly made me think of fragility. This is one of the reasons why I found
"When it comes to thinking about and working with photographic images nowadays, I think it’s crucial to engage with the ways these images are being produced, presented and perceived."
“It is often confusing being an American. We are a country deeply concerned with our personal histories, yet there is something peculiar about all of this in so much as
“There is a whole history of photography fronted by Rosalind Wolf Purcell, Akin and Ludwig, and a few others called “Formaldehyde photography”.
"Completely captivated by the photographic possibilities of light, both artists come at the medium with a desire to seek the extraordinary, in order to access invisible states of consciousness."
"Trees, leaves, flowers are all given the Sells treatment and become abstracted metaphors of the sacred geometry still found between light and organic materials within the aforementioned natural world."
"These spaces now hide, move, dwindle or extinguish themselves from the aim of progressive rule. There is not an alternative."
"I was especially interested in the ideas of modernisation and particularly the belief that we have developed in a linear fashion - always going to something better."