"In my opinion, the devastating confusion that capitalism wreaks upon the coherence of memory and history renders almost all imagery, and in particular, photography, as bearer of the uncanny."
“That is just the impatient me waiting for my own teeth to fall out as I doubt I will ever find the bouffant that defines me”. I stood sifting through
”The whole city though I am only in a neighborhood seems capable of changing its face as I am carried through it offering possibilities for omni-architectural and urban planning on
“For the most part, my characters are portrayed in some sort of deep concentration resulting in my personal interpretation: melancholy dream – expectation – prayers and enigmas”. Irina Ionesco is
Bertien van Mannen’s “Beyond Maps and Atlases” is a composition of dis-rhythmic proportion. Her investigation into the Irish landscape is not so much depressing as it alludes to the bittersweet.
“That process of walking every day for long periods of time, you slow down, you start to really observe how your mind’s working, get a different sense of the connection
Estelle Hanania is what I would consider a sort of phenomenological anthropological photographer. When I say this, I mean to consider her an anthropologist with a camera interested in regarding
“These dreams were a product of the IV missing the vein repeatedly and causing a beautiful shade of crimson, blues, fading to yellow just under the parchment-like encasement”. There would
I can imagine what it is to wake up in a city like Dresden the morning after being carpet bombed by Allied forces in 1945...
Images that travel; images for hire. The postmarking of images. The weathering and creasing defamation, which detracts the value of a post-card is insipid as to its method of its
Ulay. Imagine a combination of a charismatic personality, a subversive anarchist, a bright mind and a daring body. The artist Ulay, better than anyone has explored limits of body and