The subjects in Watanabe's photographs are the prostitutes, street people, Drag Queens, entertainers and gangsters (Yakuza) that populated Kabukicho at night.
It is clever enough to remain completely autonomous and lacks the problematic discourse of “trying too hard”.
Michelle Tagliaferri’s “Grass” is book of natural gravity and beauty. That is to put it simply.
Excerpt from Popular Photography, August 1995 Q: When did you get the original assignment to photograph the drug scene? A: I made a trip to Detroit for Life in the
There are almost no humans in Wender’s photos. I almost forget there’s a human behind the camera in a way that would never happen with other road trip photographers.
"Drive, look, and photograph. That was the beauty of it—it didn’t matter where I went."
I was, part of a youth culture, a movement. And I greatly embraced this liberating music and club life, which was in such stark contrast to the posy-dressy 80s.
Cariou sued Prince and Gagosian, alleging that Prince’s Canal Zone works and exhibition catalog infringed on Cariou’s copyrights in the incorporated 'Yes Rasta' photographs.
The photographer once stated dryly that the centripetal composition of all of his pictures was based on the Confederate Flag.
Entartete delivers solitary sex and guilt and self-revelation so fierce that sometimes it leaves you gasping. By Eugenie Shinkle, ASX, July 2015 Entartete is German for ‘degenerate’. It’s the title
"Every dried out mummy-corpse, every dead child, every snarl of these fucking dogs - it's like they invade my dreams- I can't get relief either awake or asleep."
The watchtower is not, typically, an offensive weapon. It’s an anticipatory instrument, a hedge against the inevitability of future conflict. By Eugenie Shinkle, ASX, July 2015 Built in the 1950s,
"I came to believe that there was something more meaningful going on––something stronger and more compelling, something that seemed almost woven into the fabric of the American psyche."
Excerpts from “Shashin Workshop No. 8.” Japan: Shashin Workshop Group, 1976, First Edition, PB, 72 pp, 28 x 14 cm, b/w photos, text in Japanese. Nobuyoshi ARAKI, Daido MORIYAMA, Shomei TOMATSU,
Dutch photographer and filmmaker Ed van der Elsken relocated to Paris in 1950. There he found a bohemian group and began closely following and photographing their everyday movements, intertwining fiction
2001: A Space Odyssey is a 1968 epic science fiction film produced and directed by Stanley Kubrick. The screenplay, written by Kubrick and Arthur C. Clarke, was partially inspired by
From 1970 to 1987 Andy Warhol took scores of Polaroid photographs, the vast majority of which were never seen by the public. These images often served as the basis for