Many Japanese photographers came to New York to take photographs in the seventies and eighties, Kitajima arguably produced the best. Keizo Kitajima spent six months in New York roaming it’s
Sunless is Tiane Doan Na Champassak’s most elevated work yet. The publication itself is beautifully printed and plays with chromophilic metaphor of color in the red, white, and blue of
"There is a sense in which this kind of photography involves taking something from people without giving them something in return."
Romance is inescapable; the L.A. river is maybe the most romantic strip of concrete in the world, the light in the window of a Todd Hido exterior is romantic, just
William Klein was invited to Tokyo in 1961, where he shot for three months and made more than 1,000 pictures.
Theirs will be a genetic lineage where Eden’s vast land has been bulldozed over for that of another Wal-Mart parking lot where their future generations will congregate to buy house
For the authors Feuerhelm and Salu, theirs’ is an act of frustration at our willingness to sit back and be spoon-fed bullshit while behind us a cartoon mouse holds a
To sip from the carton of the spectre’s image itself leaves traces of ephemeral traumas on the lips of all children.
Since Richard Prince first exhibited infringing appropriated photographs, reproduction technologies have thrown established conventions into disarray.
"The New Topographics has to some extent had the effect of ‘steamrollering’ people into believing that the American model was the progenitor of lots of current photographic approaches."
Yamamoto Masao had not only treated these prints with a range of teas, and chemicals—this I already knew—but also with tears from his own eyes.
Pettibon’s drawings say: sure, I’ll suck dick for cigarettes.
Bold and bluntly framed, the images are enthused with a voyeuristic atmosphere and an emphasis on body shapes that at times seem to hint at the grotesque.
For nearly 200 years, Northeastern Philadelphia had treated its surrounding mentally ill citizens “to keep them off the streets” because they caused “terror among their neighbors.”
“I’ve had photographs taken for portraits because I very much prefer working from the photographs than from them.”
ASX CHANNEL: ANTHONY HERNANDEZ (All images @ and Anthony Hernandez)