“It is a stasis reflection. At once it is full of possibility, movement, and utilitarianism. It exists in its own chaos and laterality”
“These poor cities are nevertheless radiating vivid colours, as if bolstering up daily lives with significant visual appeal. I see their desperation to live, to the point of feeling pains. I find it enormously beautiful.”
“Takashi Homma is indebted to Robert Frank. This much is clear. He is as sick of goodbyes as are the best of the Swiss and as are the best of photographers”
Moriyama admits that repetition is his way of working, and that his impulse to reproduce his surroundings today is much the same as it was when he got his first camera, in junior high.
There was something nearly satisfying in the midst of tying his sister’s best friend to a board of broken glass
“I always imagine that it looks like a whisper would look if a whisper would wail.”
“I have never thought of myself as a pop artist. However, when I was young there was a time when I was influenced by the methodologies and techniques of pop artists, such as Warhol.”
“This is what we did. How did it happen? How could we?” – Dorothea Lange
Daisuke Yokota’s “Taratine” is a personal journey between the worlds he once knew of his mother to that of his lover.
It all happened in a second. With the rumbling of a great sound. On the next day, it was snowing, and people were freezing in cold recalling that scene… By Sunil Shah, ASX, September 2015 The story starts from greeting a woman. Recording #1 23’ 34” 02 “It all happened in a second. With the […]
Knowing that she was about to die, my aunt said that she would have less regret about leaving this world if she knew she could still send letters. There was a certain burden of hearing the small metal chain swing against the glass casing of the light bulb’s pulsating dissonance. Clink, clink, the third […]
The subjects in Watanabe’s photographs are the prostitutes, street people, Drag Queens, entertainers and gangsters (Yakuza) that populated Kabukicho at night.
“The time when a picture is taken is like an emotion, it’s like a sexual encounter. It’s like a fuck! So, timing is very important.”
Excerpts from “Shashin Workshop No. 8.” Japan: Shashin Workshop Group, 1976, First Edition, PB, 72 pp, 28 x 14 cm, b/w photos, text in Japanese. Nobuyoshi ARAKI, Daido MORIYAMA, Shomei TOMATSU, Noriaki YOKOSUKA, Masahisa FUKASE, Eikoh HOSOE, Seiji KURATA, editors/photographers A rare volume from the scarce Photography Workshop Group founded […]
William Klein was invited to Tokyo in 1961, where he shot for three months and made more than 1,000 pictures.
Yamamoto Masao had not only treated these prints with a range of teas, and chemicals—this I already knew—but also with tears from his own eyes.
Mirage swings between the dynamic of a lover’s intimate photographs and those of a lonely stalker. By Owen Campbell, ASX, March 2015 The standard, reflexive way of referring to Mirage (2013), White and Vinegar (2012), and Dazai (2014) would be “three books by the photographer Daido Moriyama, as well as a story by Osamu […]
Feeling of Spring Unworthy of Compassion. By Alex Bocchetto, ASX, March 2015 As soon as I open I open Marvelous Tales of Black Ink I’m welcomed by a woman with mysterious eyes, her tits squeezed by hemp rope, She’s looking in the camera with a vague hint of ennui like she’s out of some existentialist […]
In Kikuji Kawada’s ‘The Last Cosmology’ – A Retinal Burn in Search of Answers from the Ecliptic and Permeating Darkness
From here forward, all other stars are negated by this astringent light… the pursuit of blinding myself to the sun, your memory; my final act of love… By Brad Feuerhelm, ASX, March 2015 Absconding from my shell of a body, I stand looking towards the lesser lights of heaven and then, dizzyingly earthbound again. […]
“The images are far more erotic than most porno photographs…” By Anton Corbijn, for Tate, May 2010 I had not been aware of Kohei Yoshiyuki’s work until I saw a review of his series The Park about two years ago, which was accompanied by a photograph that caught my eye immediately. The infrared grittiness […]
In Sentimental Journey and later in Winter Journey Araki documented both the intimate and the mundane from his honeymoon and his wife’s terminal battle with cancer. By blurring the boundaries between life and art Araki’s work becomes uncomfortably candid, presenting death with a reverence as shocking and graphic as any of his more erotic […]
Issei Suda was born in Tokyo in 1940 and graduated from the Tokyo College of Photography in 1962. He worked as a freelance photographer from 1971 and taught for many years at the Osaka University of Arts. (All rights reserved. @ Issei Suda.)
‘Chiro’ from Sentimental Journey @ Araki In many ways, “Sentimental Journey 1972-1992” is quintessential Araki. It is a documentary of his marriage life with his wife Aoki Yoko till the day she lost her fight to ovarian cancer in 1990. By Zhuang Wubin, epSITE and Nanyang Academy of Fine Arts, 2004 Nobuyoshi Araki, or Tensai […]
from KAZAN @ Mayumi Hosokura Just float. A conversation with Mayumi Hosokura By Karin Bareman A young woman sniffles and wipes her nose with her hand. The gesture is utterly disarming. It makes her look so young, so vulnerable. But what on earth is she doing out there? Has she injured herself by moving through […]
April 4, 2014, Galerie OstLicht: opening ceremony of the show ARAKI TELLER TELLER ARAKI featuring works of two of the most important photographers of our times: Juergen Teller and Nobuyoshi Araki. The exhibition is showing new works conceived for this joint exhibition and entering into an artistic dialogue. Nobuyoshi Araki and Juergen Teller are united […]
“MY WORK’S NOT ONLY ABOUT MY OBSESSION WITH JAPANESE WOMEN, IT’S ABOUT MEDICAL FETISHISM AND MY FASCINATION WITH ACCIDENTS” – ROMAIN SLOCOMBE, 1997 Beautiful Japanese girls are photographed in casts and bandages, victims of unknown traumas in the neon streets and hospital rooms. These are the “broken dolls” of Romain Slocombe’s Tokyo, a […]
Nagano workers at 5:00 PM, 1959 By Caille Milner, for ASX, May 2014 Why does Tokyo look so unfamiliar in Nagano Shigeichi’s photographs? He used no slights of hand; followed no special methodology. His influences were the usual ones for his generation — William Eugene Smith, Life magazine, celebrated Japanese photojournalists like Kimura Ihei and […]
Honesty and reality are the wrong type of word to describe the work of a man with a camera. Labyrinth especially is not photography representing reality, but photography representing photography.
One of the most revered living Japanese photographers, Daido Moriyama’s work is saturated with the melancholic beauty of life at its most ordinary. His photographs epitomize wabi-sabi, the Japanese aesthetic of finding beauty in imperfection. Moriyama focuses in on the lost and the discarded, and finds echoes of living through the breakdown of traditional […]
Daido Moriyama first came to prominence in the mid-1960s with his gritty depictions of Japanese urban life. His intense and intimate approach often incorporates high contrast, graininess, and tilted vantages to convey the fragmentary nature of modern realities. Born in Ikeda, Osaka, Daido Moriyama first trained in graphic design before taking up photography. Moving to […]
“On the ground of one of the stars among the immense universe, I think of the beginning, The Earth is a mirror to project heaven. Photography captures the mirror. It connects the Earth and heaven. When the darkness reaches at the bottom, the light will arrive.” – Rinko Kawauchi Rinko Kawauchi – Ametsuchi By Sören Schuhmacher for ASX, September […]
“To me photography can be simultaneously both a record and a mirror or window of self-expression… the camera is generally assumed to be unable to depict that which is not visible to the eye and yet, the photographer who wields it well can depict what lies unseen in his memory.” – Eikoh Hosoe ASX CHANNEL: […]
Eikoh Hosoe, a leading figure in modern Japanese photography came to the Art Gallery of NSW to launch the exhibition ‘Eikoh Hosoe: theatre of memory’. In this video he discusses his work and inspirations. Eikoh Hosoe was born in Yonezawa, Yamagata in 1933 and graduated from Tokyo College of Photography in 1951. He exhibited in […]
“The projection of Western fantasies onto the “Orient” is an essential aspect of the centuries’ old discourse on Orientalism. The West was always projecting images onto the Orient, particularly fantasies and topics considered taboo or unfulfilled in the West.” Issei Suda, a Master of Japanese Photography This interview with Ferdinand Brüggemann was conducted by […]
“The suburbs don’t change at the same pace of cities. Some of the places I visited twenty years ago will look the same way today. I’m not interested in crowds, so it’s more conducive to my working habits to be in the suburbs.” Vladimir Gintoff interviews Koji Onaka for ASX. May 2013, at […]
“At that time I was frustrated with everything, including photography – particularly my own. There was a sense of irritation generally in the air, so I just thought ‘let’s completely deconstruct photography’.” – Daido Moriyama
Bye Bye Photography. The photographer’s third book: a masterpiece of Japanese photography, and the book that best illustrates the conceptual ideals and vision of the Provoke photographers. Here Moriyama pushes the boundaries of the medium: assembling images from a variety of sources, placing them in a tumultuous and discordant anti-sequence, and assaulting the viewer with […]
In ‘Canary’, personal stories from people of local myths are combined with the artist, Lieko Shiga’s, own personal memories, feelings and experiences to tell hybrid tales of shared secrets, darkness and legend. (© Lieko Shiga, courtesy Galerie Priska Pasquer, Cologne)
Having been long-time admirers of Takashi Murakami and, at the same time, given countless opportunities to extensively cover his prolific works of art, there was no doubt that we wouldn’t be there for the opening of Murakami’s “Arhat” exhibition and world premier of his film, “Jellyfish Eyes.” Taking place at Blum & Poe Los Angeles, […]
Direction and Photography by Akiko Nishimura Music by VOQ
On December 15th, 2012, Polka Galerie had the honour to host Daido Moriyama for an extraordinary event: The Silkscreen Workshop. During an entire afternoon, the Japanese master, who came to Paris especially for this, helped the workshop participants create a silkscreen. In an atmosphere reminiscent of a factory, the “apprentice-for-a-day” chose one of five […]
Issei Suda (須田 一政, Suda Issei) is a Japanese photographer. Born in Tokyo in 1940, Suda graduated from the Tokyo College of Photography in 1962. ASX CHANNEL: ISSEI SUDA (All rights reserved. Images @ Issei Suda)
CALEB FOOTE & DOROTHEA LANGE: “Outcasts! : The Story of America’s Treatment of Her Japanese-American Minority” (1943)
Irrigator, who, with 595 persons of Japanese ancestry, is leaving this rural district this morning for an assembly center under Civilian Exclusion Order Number 34. Centerville, CA, 1942, Dorothea Lange Text by Caleb Foote, Photographs by Dorothea Lange The Tyranny of a Word Shortly after Pearl Harbor, the San Francisco Chronicle said of the persons of […]
EXPLORE ALL ARAKI ON ASX
By Paul Loomis, for ASX, August 2012 The photographs in “Photo Express: Tokyo” (Steidl, 2012) were taken in Tokyo within a single year by Keizo Kitajima, and looking at them is like leafing through his intricate memories. They are complex and celebratory, hopeless and certain and full of people with signatures of fate on […]
Daido Moriyama uses an ordinary compact camera and never stops shooting. He is one of Japan’s most celebrated photographers. In this film, Daido Moriyama “In Pictures”, we are invited into his studio and takes us on a walk around the atmospheric Shinjuku neighbourhood, his home from home in Tokyo.