GARRY WINOGRAND

Garry Winogrand

Anthony Hernandez Interview: Forever

“I went down there and saw all these little paintings of landscapes, houses, little beautiful scenes. The light on that picture is from reflections of cars going underneath the freeway. The whole roll was faint, faint, faint. And then there was the clown. There are so many places like this, it goes on forever.” On […]

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Anthony Hernandez Interview: Forever

“I went down there and saw all these little paintings of landscapes, houses, little beautiful scenes. The light on that picture is from reflections of cars going underneath the freeway. The whole roll was faint, faint, faint. And then there was the clown. There are so many places like this, it goes on forever.” On […]

Los Angeles Plays Itself: Anthony Hernandez at SFMOMA

“No, Anthony Hernandez’ sober look at his hometown reminds us that Los Angeles is not the most photographed city in the world, but rather, one of the most culturally, economically and racially divided places in America.” It often said that Los Angeles is the most photographed city on earth. It’s not true. It is also […]

The Animals and Their Keepers: Garry Winogrand and Photography After September 11th

 from The Animals @ the Estate of Garry Winogrand   Winogrand disdained those who treated photographs not as photographs but as an extension of painting.   The Animals and Their Keepers: Garry Winogrand and Photography After Septempber 11 By Hilton Als “The Animals,” a book I was moved to reexamine after the events of Sept. […]

Class Time with Garry Winogrand (1974 – 1976)

  By O.C. Garza The years were 1974, 1975 and 1976. Step back to those years in what was the active, peaceful city of Austin, Texas. The city is nestled hard against the banks of the Colorado River that knives through central Texas. This state governmental seat was changing as it always has and always […]

The Garry Winogrand Problem (1988)

Shooting inordinate amounts of film, Winogrand charted a vast, freebooting odyssey through three-and-a-half decades of American culture.     Garry Winogrand: . . . ‘I forgot what year when Robert Frank’s book came out. He was working pretty much around that time, ’55 or whenever it was. And there were photographs in there, particularly that […]

ASX.TV: Garry Winogrand – “Garry Winogrand”

Garry Winogrand (14 January 1928, New York City – 19 March 1984, Tijuana, Mexico) was a street photographer known for his portrayal of America in the mid-20th century. John Szarkowski called him the central photographer of his generation.   ASX CHANNEL: Garry Winogrand

Garry Winogrand, Public Eye (1981)

Winogrand’s pictures are usually packed with astounding quantities of incident and “information,” a catchword popular among practitioners and students of street photography during the early ’70’s. By Pepe Karmel Photography critics raised on the classical elegances of Stieglitz and Cartier-Bresson still consider Garry Winogrand’s photographs haphazard snapshots, mach as 19th century academic critics saw the […]

Paul Graham – ‘The Unreasonable Apple’ (2010)

“Perhaps here we have stumbled upon a partial, but nonetheless astonishing description of the creative act at the heart of serious photography: nothing less than the measuring and folding of the cloth of time itself.” By Paul Graham This month I read a review in a leading US Art Magazine of a Jeff Wall survey […]

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Coffee and Workprints – A Workshop With Garry Winogrand (1988)

“The director confided that Winogrand doesn’t make learning easy; be patient, he urged, it’s worth it. If we weren’t satisfied by the weekend, he’d give us a refund.”   Coffee and Workprints: A Workshop With Garry Winogrand – Two Weeks with a Master of Street Photography that Changed My Life By Mason Resnick My two-week […]

Garry Winogrand is Interviewed by Bill Moyers (1982)

“When I’m photographing, I see life. That’s what I deal with. I don’t have pictures in my head.”   Garry Winogrand with Bill Moyers, Creativity, WNET, 1982 “When I’m photographing, I see life. That’s what I deal with. I don’t have pictures in my head. I frame in terms of what I want to include, […]

An Interview with Garry Winogrand (1981)

 Albuquerque, New Mexico, 1957   “I think that those kind of distinctions and lists of titles like “street photographer” are so stupid.”   From Visions and Images: American Photographers on Photography, Interviews with photographers by Barbara Diamonstein, 1981–1982, Rizoli: New York Garry Winogrand is one of the most important photographers at work in America today. His […]