“Work by established artists can help position and elevate the work of a recent graduate, whilst the graduate’s work re-contextualizes and refreshes the established work”. Flowers Gallery Chris Littlewood Interview @ Unseen Photography has played an integral part of the program at Flowers Gallery since its inception in 1970. One of the first to open […]
“Since I became director in October 2014, I followed the emphasis on quality, but also started showing exhibitions that relate more to cultural matters, such as fashion, history and biography, among others”. Nanda van den Berg is Director of Huis Marseille Museum of Photography. She is the curator of Viviane Sassen / In and out […]
Daisuke Yokota’s Subversive Appreciation of Time.
”It seems to us that there is a huge shift in how the industry and photographers are operating and the lines between fine art and commercial photography are blurring, paving the way for young photographers who are prepared to take risks and establish a career across both worlds. As a commercial agency we have always […]
”Thomas sent across a very polite email, stating, ‘I am mostly interested in the surprising way you could digest such a body of material. I contacted you because I think your collages are truly spellbinding…’” By Brad Feuerhelm, ASX, September 2015 Melinda Gibson has flown to China to collaborate with Beijing Silvermine mastermind Thomas Sauvin […]
” The overlapping of basic subjects, the presentation of identities and where life/energy goes, is embedded in these content matters which superficially seem to be diverse but are really very intimately related. Life is a multi-faceted coin that we each need to turn in many ways”. Brad Feuerhelm, ASX, September 2015 BF: I have been […]
” I believe that art has a power to challenge our preconceived perceptions and suggest new perspectives. Fujiwara’s “Code Unknown” is an ambitious work that explores a new approach towards the issue of portrait rights and privacy that we often face in today’s visual culture”. By Brad Feuerhelm IMA gallery’s main focus is to help young […]
Noémie Goudal’s magical realism and our language of decay.
“So over the last 17 years we’ve got more and more involved with Japanese art and culture. In general, we are in love with both the country and the art and design there. Everything is made with so much care and a concerned eye for detail and originality”. Alex Daniels Reflex Gallery Unseen Interview For […]
” No, my work is not intended to be feminist. What is feminism nowadays anyway? My work very much evokes within an inner logic, this is probably not always appropriate.” By Fanny Landström, ASX, September 2015 Flesh, form, and colour. Movement, and frozen figures. Dutch artist Isabelle Wenzel’s shape-shifting body is going to be exhibited […]
“I tend to find that my sculptural work comes from far clearer visions before they are constructed. I start by making drawings, like blueprints, mainly of new architectural features. I then allow the processes that I use between photography and sculpture to inform the final work.” Fanny Landström with Felicity Hammond, ASX, September 2015 A […]
”It’s like theatre and actually for those days of the fair it is a bit like being on stage with the artworks. The opening day of any fair, Unseen and Paris Photo especially, are like hosting a party, you catch up with friends and colleagues but meet new ones too. It can be a lot […]