WAR PHOTOGRAPHY

Explore the latest war photography. .vc_custom_1419240516480{background-color: #f9f9f9 !important;}.vc_custom_1453418724087{background-color: #ffffff !important;}.vc_custom_1446763143139{background-color: #ffffff !important;}.vc_custom_1447286167045{background-color: #ffffff !important;}.vc_custom_1552848710151{padding-left: 20px !important;background-color: #ffffff !important;} Erik Kessels: SHIT and Empty InfantilismFeatureReviewsWar Photography Loops and Voids: A Perspective on Michael Schmidt’s Berlin Nach 1945EssaysFeatureWar Photography Real Nazis: Trauma is the Trigger, but When?FeatureReviewsWar Photography 9 Days – From My Window in AleppoWar Photography [...]

MATTHIAS BRUGGMANN

.vc_custom_1419240516480{background-color: #f9f9f9 !important;}.vc_custom_1453418724087{background-color: #ffffff !important;}.vc_custom_1446763143139{background-color: #ffffff !important;}.vc_custom_1447286167045{background-color: #ffffff !important;}.vc_custom_1552848710151{padding-left: 20px !important;background-color: #ffffff !important;} Matthias Bruggman’s “UNDERCOVER, THEATRE D’OPERATIONS” (2013)ExhibitionsReviewsWar Photography

Erik Kessels: SHIT and Empty Infantilism

“I think that this is an argument that needs definition and that in doing so, following it up with the above analysis mentioning of colluding Nazis to the smell of shit and gay activity to the Nazi and his shitting, we are reducing gay men to shit smelling Nazis whose sexuality is thus limited and demonized incorrectly”

Loops and Voids: A Perspective on Michael Schmidt’s Berlin Nach 1945

“Though the clues to what could be considered “absent” “voided” or “gone” are not to be entirely championed nor ignored, the work follows a circular format. It is an examination of place and home and the subject’s way of seeing the familiar and unfamiliar at the same time. This inquiry of Schmidt’s is adept if not deftly demonstrative.”

Real Nazis: Trauma is the Trigger, but When?

“It is also to remind people that the condition of “evil” or trauma exists only in the post-event and that we do not recognize, as Arendt mentions, the force of its implication while it is being formulated”

9 Days – From My Window in Aleppo

Winner of the European Short Film Award at the European Film Awards. In August 2012, Syrian photographer Issa Touma awoke to the dawn of the rebel uprising in the city of Aleppo. He spent the next nine days holed up in his apartment, filming the emerging civil war outside.

Aleppo Drone Footage (2016)

Drone footage shows the devastated buildings of east Aleppo, Tuesday, less than 24 hours after the Syrian Arab Army (SAA) announced it had succeeded in pushing the opposition fighters out of the remaining neighbourhood.

Donovan Wylie: Invisible Architectures of War

The watchtower is not, typically, an offensive weapon. It’s an anticipatory instrument, a hedge against the inevitability of future conflict. By Eugenie Shinkle, ASX, July 2015 Built in the 1950s, the Distant Early Warning line, or DEW line, was a system of radar stations stretching across northern Canada from Alaska to Greenland. Its job was […]