“I think that this is an argument that needs definition and that in doing so, following it up with the above analysis mentioning of colluding Nazis to the smell of shit and gay activity to the Nazi and his shitting, we are reducing gay men to shit smelling Nazis whose sexuality is thus limited and demonized incorrectly”
“Though the clues to what could be considered “absent” “voided” or “gone” are not to be entirely championed nor ignored, the work follows a circular format. It is an examination of place and home and the subject’s way of seeing the familiar and unfamiliar at the same time. This inquiry of Schmidt’s is adept if not deftly demonstrative.”
“It is also to remind people that the condition of “evil” or trauma exists only in the post-event and that we do not recognize, as Arendt mentions, the force of its implication while it is being formulated”
Winner of the European Short Film Award at the European Film Awards. In August 2012, Syrian photographer Issa Touma awoke to the dawn of the rebel uprising in the city of Aleppo. He spent the next nine days holed up in his apartment, filming the emerging civil war outside.
Drone footage shows the devastated buildings of east Aleppo, Tuesday, less than 24 hours after the Syrian Arab Army (SAA) announced it had succeeded in pushing the opposition fighters out of the remaining neighbourhood.
Found images from the Gulf War showing ‘How the West was Won’. Ride ’em cowboy.
“Every dried out mummy-corpse, every dead child, every snarl of these fucking dogs – it’s like they invade my dreams- I can’t get relief either awake or asleep.”
The watchtower is not, typically, an offensive weapon. It’s an anticipatory instrument, a hedge against the inevitability of future conflict. By Eugenie Shinkle, ASX, July 2015 Built in the 1950s, the Distant Early Warning line, or DEW line, was a system of radar stations stretching across northern Canada from Alaska to Greenland. Its job was […]
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 5 See the entire conversation: HERE From the seconds after a bomb is detonated to a former scene of battle years after a war has ended, this moving Tate Modern exhibition focused on the passing of time, tracing a diverse and […]
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 4 See the entire conversation: HERE From the seconds after a bomb is detonated to a former scene of battle years after a war has ended, this moving Tate Modern exhibition focused on the passing of time, tracing a diverse and […]