Interview: Andrea Stultiens & Ebifananyi

“I do not want to represent, full stop. I want to present the outcome of correspondences. And I want those outcomes of correspondences to not be final results but part of potential other correspondences.”

Ed Ruscha – Buildings and Words (2017)

Ed Ruscha: Buildings and Words is a short-length documentary, commissioned by MOCA, about Ruscha’s extraordinary body of work.​ The film is written and directed by Felipe Lima and narrated by Owen Wilson. Director and Writer: Felipe Lima Produced by: Ways & Means Executive Producers: Lana Kim, Jett Steiger Producer: Rachel Nederveld Narrated by: Owen Wilson […]

Alessandro Calabrese: A Failed Entertainment

“That is to speculate that the authorship of the single complete image may well have been limited to the artist, but its circumferential acclimatization in book form have enabled a second tier retro-authorship of said generated images. They become meta-appropriations in a sense.”

NASTYNASTY: Propositions for THE E-Shovel

“However, by creating an anxiety or a image that begs questions, becomes surreal, or forces the brain and eyes to move around the juxtapositions, the successful adware companies of the future, in determining semi-obtuse economic visual puzzles will be successful. It is as if Edward Bernays has been reincarnated in a land of advertising and marketing opposites and is again reigning SUPREME”

Darren Harvey-Regan’s Chalk Muse: Reflections on Time in The Erratics

“The plinth and the chalk are symbiotic vehicles for vision. One bleeds into the other with precision, which given the cleanliness of the image is something to consider-to strip away millions of years of aggregate bio-mass and reduce it and time to the constraints of light and human hand presents a challenge to the eye”

Archive of Decline: Social Media Photography in the Anthropocene

“I often ponder where all of these social media images are saved. I wonder if the social media magnates responsible for these sites of convenience have some sort of bunker somewhere, perhaps in a methane crater in Siberia where they store every image that has ever been posted”

Geraldo de Barros: What Remains is a Gift

“It is not as a blackout from his own memory but to revitalise the missing parts, to allow himself and the viewer to fall into the image, to find oneself in that space.”

Obituary: George Pitts

“George was serious—yet he had that bit of mischief and naughtiness to him. He liked to nudge boundaries. His thinking was complex—and nonstop”

Federico Clavarino: The Errant Future of History

“The castle, which controls the populace, does so through an absolute production of its image. It is a tale in which plebian might is as disorganized as any contemporary parallel for leading a resistance against the juggernaut who rules by fear and an unethical chess game between the citizens and the tyranny of the castle’s own image”