Susan Lipper Interview: Domesticated Land

“I was very motivated by Deborah’s Bright’s 1985 essay: Of Mother Nature and Marlboro Men, which stressed the importance of differing subjective viewpoints from the established patriarchal vision”

Max Pinckers Interview: On Speculative Documentary

“Haunted by a crisis of faith in its authenticity, the documentary genre is continually trying to re-position itself in relation to today’s excesses of a post-truth ideology and blurred frames of realism.”

Thomas Weski: Interview With Cooper Blade

“I think Michael felt the need to discuss the meaning and importance of American photography with a younger generation in Germany who had no experience with these kinds of elderly figures. The National Socialists had either killed or persecuted them in Germany, so for my generation there was no elderly generation in photography.”

Eva Maria Ocherbauer: Interview Berlin West, Haus der Tat

“Berlin was cold and grey… but we made up the “scene” an alien escape from this condition… no morals, cold and hot and cruel and shiny, all at once… excessive for sure. The free spirit of the city supplied a fertile ground for life as an experiment”

Carmen Winant: My Birth Interview

“On one hand, the experience exists totally outside of language. I am not surprised that we struggle to describe it, and relegate it to some other, private realm.”

Bruno V. Roels Interview: A Palm Tree is a …

“To me, everything is language. Language allows you to use a limited set of elements to build ever changing and endless worlds.” Bruno V. Roels’ work encompasses many layers of language, economy, history and repetition which hints a greater understanding of where photography becomes complicit in its indelible position as a conduit for fragmented meaning. […]

Andrea Botto Interview: Kaboom! Of Dynamite and Destruction

“What interested me from the beginning was the theatrical dimension of all these events, the spectacle of destruction, the context where it took place, and the possibility of considering the explosion as an alienating element within the landscape.”

Donovan Wylie & Jim Goldberg: Candy & A Good and Spacious Land Interview

“I had this image that the Colt ’45 was made in, say, Colorado, but no, it was made in Connecticut to conquer Colorado, to win the West.  So that opened up a way of looking at American history that I wanted to pursue:  ideas of westward expansion and the architectural structures of the gun factories with their strong pillars to hold all the machinery and gear; that talked about weight, and Empire.  But the factories were all in ruins and I couldn’t work with that, visually”. –Donovan Wylie

Klaus Pichler: This Will Change Your Life Forever Interview

“Nevertheless, the current submission of spirituality under the rules of the capitalist market, forced by an armada of suppliers, is a development, which has he potential to irreversibly transform questions of belief into marketable services and tools.”

Interview: Andrea Stultiens & Ebifananyi

“I do not want to represent, full stop. I want to present the outcome of correspondences. And I want those outcomes of correspondences to not be final results but part of potential other correspondences.”