Focus on the Feminine Self and Set Aside the Suicide of Francesca Woodman

To interpret Woodman’s work entirely through her death is reductive and backwards-facing. It’s the stated goal of this monograph to set aside the dominant interpretation of Woodman’s work, which sees her photography as an anticipation of her suicide. Focus on the Feminine Self and Set Aside the Suicide of Francesca Woodman By Owen Campbell, ASX, […]

Robert Adams on Working at Home and Photography as Metaphor (2009)

“By definition art is not propaganda; the goal is not to excite people to action but to help them find a sense of wholeness and thereby a sense of calm.”   Excerpt from a 2014 Hasselblad Award chat transcript Question: Congratulations! You have been taking pictures of the American West for four decades now. Why […]

Lewis Baltz on ‘New Topographics and Exhibition ‘Remakes’ (‘A Very Bad Idea’)

39, WEST WALL, SMICOA, 333 MCCORMICK, COSTA MESA © LEWIS BALTZ, IP 39, FROM THE SERIES “NEW INDUSTRIAL PARKS, NEAR IRVINE, CALIFORNIA”, 1974; STEIDL   Interview (excerpt) with Lewis Baltz Conducted by Matt Witkovsky At Baltz’s home in Paris, France. 2009 November 15-17 MR. BALTZ: You aspire to making something – at least at the time, […]

Saul Leiter’s Color Street Photography – The Palette of NYC

    Interview excerpts: “I’m sometimes mystified by people who keep diaries. I never thought of my existence as being that important. I have a deep-seated distrust and even contempt for people who are driven by ambition to conquer the world … those who cannot control themselves and produce vast amounts of crap that no […]

An Interview with Antoine d’Agata: ‘A Simple Desire to Exist’ (2014)

“Mine is an entirely solitary pursuit as most of my time is being spent on the road, on the streets and in hotel rooms in anonymous cities.”   Antoine D’Agata. A simple desire to exist. A conversation with Raphael Shammaa,.Translated from French. New York, February 7, 2014 Raphael Shammaa: How do you feel discussing your work […]

Daido Moriyama – “Labyrinth” (2012)

Honesty and reality are the wrong type of word to describe the work of a man with a camera. Labyrinth especially is not photography representing reality, but photography representing photography.

Larry Clark’s Memory

Memory is largely based on lived experience. We remember important events that mark the passage of time, and as we get further away from those events our memories may be distorted; we lose details and make additions along the way. By Megan Bradley, first published  in Volume 3 of the Concordia Undergraduate Journal of Art History […]

Larry Clark: “Perfect Childhoods (Excerpt)” (2005)

Clark’s aging sentient body, naked or otherwise, is central to his project to reclaim and live teenage life. By Sudhir Mahadevan, excerpt from Where the Boys are: Cinemas of Masculinity and Youth (2005) Larry Clark has made three feature films that have been released commercially, Kids (1995), Another Day in Paradise (1998), and Bully (2001). […]